Removing stickers, fossilized or not, from books

Different people love books in different ways.

My mother first immediately broke the spine of every paperback she read. That way, she said, she didn’t have to worry about that any more. To me, that’s sort of like becoming a heavy tobacco and alcohol user so that one won’t have to save for retirement, but they were her books. Long as she kept her Visigothic, mutilating ways off mine, we were fine.

Some people keep no books, giving them all away. Some keep a selection, for show or rereading. Some have gone over to e-readers. Most people, I think, do not much care how much wear and tear they put on books. I believe this because of the condition of the used books I buy: creased covers, dog-eared pages, cracked spines, and probably body fluid stains.

Many have bookstore price stickers or remnants thereof. In many cases, someone brutally clawed at the sticker without much luck, leaving lots of nice divots and grooves. Sometimes there are three labels, one atop one or more others. Sometimes they are on the spine, which creates delicate circumstances; without special care, peeling the label may rip off part of the spine. ‘Used’ labels from school bookstores are always on the spine, and it’s not strange for them to be fossilized. It’s not strange for any label to be fossilized. The gum eventually hardens.

It’s not that my soul is crushed by the damage to a thing (though I think it’s pretty shabby to abuse a book, in my heart of hearts). It’s that I like to maintain valuable things in good condition. Books are valuable things. And for that reason, I’m going to take any sticker on a book as a personal challenge. I have now developed an improved method for this. Considering the demographics of my readership, there is a reasonable chance some will find this interesting.

First, gather supplies and books. I would practice on beat-up used books. Supplies:

  • Books with labels or remnants thereof
  • Bottle of Googone
  • Paper towel
  • Q-tips
  • Scissors
  • Some form of protection for the work surface, if needed, like an old plastic placemat
  • Plastic bookmark, or some other plastic potential scraper suitable for gentle work
  • A little patience

Method:

  • Examine the first book for stickers. Locate all, including all remnants and gum residue.
  • Make at least one gentle effort to peel off each sticker without help. New stickers may well come off. Some will leave residue.
  • Rip off a paper towel just so it’s handy. Cut a piece of that the size of the label you want gone, or slightly bigger.
  • Set the piece over the label and drip the Googone onto it. The idea is that by having the piece in place, it doesn’t all run off–Googone is thin.
  • Repeat for any other labels on the same exposed side of the book. Drip a bit more Googone on the paper towel piece, now and then–it evaporates, and if the label is paper, keeping it soaked is how you get the solvent through the paper to loosen the gum.
  • It can take some time to soften up completely hardened gum. You can test with the plastic bookmark (works better than fingernails). Most labels loosen up after several minutes kept soaked with Googone. Once you loosen it, you can q-tip some more Googone onto the residual gum.
  • If the label is plastic, this is going to take a while. If it won’t peel safely, use just a little Googone all around the edges, and wait for the stuff to eat away at the gum until you can peel up one side a bit. Then q-tip a little more on, wait, peel, q-tip more, wait, peel, etc.
  • Eventually, all labels will come off. Baste the remaining residue with Googone, then use the rest of the paper towel for a vigorous rub of the whole surface. If some got on the pageblock, or there’s a stain, don’t worry; it’ll evaporate. Give it a day or so to do that. The book will not smell like that forever, but a week or so is not odd.
  • Enjoy the original color of the cover, because on a used book, the uncovered area will be darker than the faded remainder.
  • Take a moment to scoff at their feeble labels.

If you are concerned about safety, wear those thin kitchen gauntlets and eye protection. I’m not, but I’d never encourage anyone not to. Googone has a very strong orange smell and is a petroleum distillate, and can be persistent, so I try to do this somewhere that won’t be a problem. I do make a point of washing my hands very well afterward, and that can take some effort before my hands no longer smell like this stuff. If you are concerned, the company website has Safety Data Sheets in .pdf.

The company’s website also indicates that they have a spray gel, and that may yet be a better method. I’m so cheap that I probably won’t consider it until I’ve used up my current supply of the original. They’ve even got a package they bill as the sticker-lifter, so the Googone people know their customer. Haven’t tried that one either.

Now if only I can figure out a way to fix cracked spines.

It is nonsensical to expect shame from those who have none

Spanish has a beautiful word: sinvergüenza. It means “shameless,” but is culturally loaded. (Don’t make the mistake of thinking it changes by gender; it is a compound word, “sin vergüenza,” or ‘without shame’; thus as an adjective it retains the same form regardless of the noun it modifies, and if a noun, is the same whether describing a shameless man or woman.) To articulate it correctly, remember that the trema (two dots) over the U means to pronounce each vowel: seen-vair-hu-en-za.

In most Spanish-speaking cultures, one’s personal honor is an important thing, which may require actions or non-actions for the sake of preservation. A sinvergüenza is a person whom dishonor would not restrain, a person who has placed him or herself outside shared cultural values and ethics. It occurs to me that this useful word can help nice people to understand some of the assholes we deal with.

I began to think about this while reading a thread on my local Nextdoor. A salesperson or scammer came to lady’s door and knocked. While waiting for an answer, he muttered profanities. We know this because her video camera recorded him in full glory. Several responded to say they had seen him, or that he had come to their doors and behaved with anger and rudeness. Everyone was surprised and outraged.

My theory as to why they were surprised: they had ignored the most obvious clue. The guy was sinvergüenza. How did we know this? Because he was knocking on doors, even those with NO SOLICITING signs, intruding on people’s private property in order to bother them. It’s the same mentality that sends spam, or makes scam phone calls. All those who do these things, which a decent human being would be ashamed to do, are lacking in shame. If one is impervious to shame, a key moral restraint is not in place, and thus all behaviors are permissible (in that person’s mind) and all other persons are required and expected to tolerate them. If other persons do not tolerate the bad behaviors, those said other persons are intolerant, mean, wrong, bad. It all comes back to the statement of policy: “I may be an asshole, and you may not object. If you do, of course, I single you out for extended assholery.”

I recall one time back in Kennewick, I happened to see a guy snooping around our vehicles in our driveway. I went outside with the sjambok (not brandishing it) and asked him just what the hell he was up to. He was handing out flyers for a hypermiler event sponsored by a Toyota dealership in Yakima. He then proceeded to evangelize me on hypermiling. I told him frankly that he was being creepy and had better get the hell out of there. The verbal altercation deteriorated to the point where I had to advance with the sjambok. I laughed when he talked about ‘threatening me with that stick.’ (He’s lucky he didn’t turn around and put me in a situation where I worried for my safety. That thing feels like boiling water hosed onto the skin.) Here’s the point: to him, it was perfectly fine to pull into my driveway, start snooping around one of our cars unannounced, then behave as an asshole when told to stop. A normal person would be embarrassed to behave this way.

We see it in email spam. A friend of mine wrote, this very day, about an email exchange with a marketer. After his third email, she told him her firm wasn’t interested, and to stop mailing her. His response was that she could have said so the first time. Point being: to him, as a shameless person, sending repeated emails was just fine. Thus, it was her fault she got them, because she did not opt out. Every couple weeks or so, I find myself on some unwanted mailing list. If it persists, I reply telling them to remove me. They often tell me to use their unsubscribe link. See what they did there? They intruded upon me unasked for. If I wish it to stop, I am expected to do work. Asking them to do work to correct their own wrong work, that makes me a very mean person, and unkind. They assume that their initial contact was perfectly legitimate, and it was not.

The area where this is most punishable is U.S. Junk Mail, because most days someone sends a business reply envelope that gets to hold all the day’s junk. It’s still wrong, because I’m still asked to dispose of it in some way, but at least I can dispose of it by sending it to a junk mailer for disposal.

I realize that most of you are fundamentally nice, decent people. You get surprised when bad things happen, because you do not do such bad things, and you wonder how anyone could. Thank you for being as you are; you are appreciated. I’m here to help you. And it’s simple:

THEY ARE SINVERGÜENZA. They have no shame.

They don’t play by nor care for your rules of courteous conduct. Because you impose those rules upon yourself in dealing with the shameless for longer than they deserve, they bother you longer and behave more rudely to you when you voice objection. They may go away when threatened, but they will not act as you would. If you had done what they did, you would walk away wondering what had become of you. They will not do this. They are already on to the next mark. Nothing you said hurt them or caused them to reconsider their actions. They are not like you. They lack shame.

You did not have to allow this. If you were to realize that a sinvergüenza action is the marker of a shameless person, you would not make nice with him. You would respond in the beginning as if this person were unworthy of courtesy. In most cases that might mean not answering the door; it might mean toying with telemarketers; it could mean refusing to answer nosey questions; etc. But you already have the person’s personality marker.

Because only a shameless person does in such a way.

Compilation release: The Unusual Second Life of Thomas Weaver

Some of you have probably read my posts about the six-part serial release of this story on Kindle. The plan all along was to assemble the pieces into a novel-length story, and this has now been done.

If you’ve been following Shawn’s work–and his sales suggest that you and others might well be–you may remember his Second Chance short story series, later stitched together into a book. This time, he decided to plan it that way, which is not to say that he planned it to any great degree. Quirk of my character: there are some words I so deeply loathe. There are so many, in fact, that I don’t tell people about them, because I know that most people consider it the height of amusement and wit to torment one ever after with the disliked word. Here are a couple of in-crowd writing slang terms I don’t mind saying how much I hate: “plotter” and “pantser.” A plotter is someone who plans the whole book out in advance, like Dean Koontz (his plots feel like a college basketball tournament bracket). A pantser is someone who writes “from the seat of his or her pants,” in other words, just improvises. Both terms reek of writers’ workshop banter and writing-oriented message boards, about which I will say no more for the moment. The terms say: “We’re cool, we’re writers, this is the club lingo.”

I’ve never been a joiner.

Shawn considers himself more of an improvisational and spontaneous writer (and yeah, I like that term better than the slang) than I do. I see his style as right down the middle. He begins with an overall concept of story arcs to realize, but comes up with most plot twists and major events as he goes along. Doing this in serial form is interesting to edit, because it’s all developmental. That’s how our process went. Shawn would tell me what he figured to write for the upcoming installment. I would:

  • Notify him when a plot choice was about to limit too many future options.
  • Remind him when his time travel/supernatural aspects were getting too loopy, or too convenient, or too distracting.
  • Offer solutions or alternatives to unworkable stuff.

In short, I would throw myself on any necessary grenades (to borrow his rather colorful description from the acknowledgements) to make sure their shrapnel didn’t shred his story. Then we would debate. Most of the time, I would win the debate because I very rarely defend an editing position with shield and body, and only when I feel it’s crucial. If you’ve always imagined an editorial relationship that involves repeated shoutfests, all I can say is that I don’t have those. I am not emotionally suited to regular squabbling, and I don’t stake out a position just to get a ‘win.’ My style is more collaborative and cooperative. If I tell Shawn something doesn’t work, I have just signed on to help him devise a better alternative. And while Shawn loves to tell the world about the scorpion stings he finds in the margin comments, he does not emphasize the fact that the comments also contain compliments. When the author goes yard, I believe s/he should know it, and I don’t hold back.

This series had plenty of those moments, as well as those where I dug trenches, constructed gun emplacements, prepared to rake the beaten zones with interlocking fields of fire, and pre-registered artillery targets. If I did a lot of that, I think it would devalue the concept of defending a fervent recommendation. They can’t all be fervent, or there is no fervency.

One area that did not affect me as much, but that did affect a great many readers, was the theme of animal cruelty. A number of Shawn’s loyal readers wrote to him (or in one case, to me) to ask for a spoiler on one particular outcome. If the outcome went a certain way, they wanted to know, so that they could stop reading. I am like that with movies, but never books. In fact, I am so affected by movies that I mostly just do not watch them. For the record, if you buy and read the book, and you reach a point where you believe that you cannot continue without knowing the outcome of one particular situation, take my word that the worst does not happen. It is safe for you to go on.

In the end, I believe Shawn has created a work that reads better than nearly anything you’ll find on an endcap, or “bestseller” aisle. Want to have fun? Next time someone calls a book a “bestseller,” ask what the supporting sales figures were. There won’t be any. “Bestseller” is not a status conferred by quantity sold. It is a status confidently predicted by the purchase of prominent product presentation at retail. The cart goes squarely before the horse. In my view, it is always moral and ethical to mock such shenanigans. If anyone calls you on this, send him or her to me.

Letting the comedy speak for itself

It’s not easy, to go by the many writers who can’t get it right, but it’s one of the most important talents in storytelling. Unless a book is a comedy book, one does not need to make an effort to be funny, nor to announce that something is supposed to be funny. The greater skill lies in letting the humor speak for itself. If the situation is comical, be assured the reader will appreciate the opportunity to make that observation herself.

I thought of this while having a cigar on my back patio, listening to children frolic in the pool at the neighbor’s to the southwest. Children having fun, without trashing your place or deafening you, is a situation I find most uplifting. As I did so, I read this passage from Tim Severin’s Tracking Marco Polo. Our travelers are in Afghanistan in 1964, having ridden from Venice:

“…Another point we had to tackle was that we still had no idea how the Marco Polo Route Project was going to get back to England. The University Year began in three weeks, and between us we mustered £40 and one very exhausted motorcycle.

“This unhappy machine was in a state of near-collapse. All the lights had long ago since been shattered; the front brake functioned only very feebly, while the rear brake did not work at all; the gear lever had been snapped off; both wheels, as well as the handlebars, were badly out of alignment, and the shock-absorbers were partially disintegrated. The once proud BSA had been thrashed into a foul mass of dust, dents, and miscellaneous pieces of grass rope holding it together. In order to change gear, the agile driver was forced to bend over and rummage around by his right foot for the sheered-off stub of the gear lever. To slow down, the passenger had to assist by dragging his feet in the dust, and at any speed the cracked steering arms exuded a fine spray of oil. The only consolation was that with the machine in such a decrepit condition there was no likelihood of it being stolen, for Stan was the only person who had the strength, experience and foolhardiness to coax the wreck into motion.”

See what Severin did? The bike is funny. All he had to do was describe the details, then cap it with the observation about its immunity to theft. One pictures the rider and passengers doing and enduring, and one likely laughs.

Here is another example, more recent, from The Energy Shift by Dr. Ritu Rao. Ritu has written one of the smartest and most accessible self-help books I have yet to read. As I edited it, I was ruthless in eradicating many situations where she tried to be funny, and told her rather bluntly that when she tried, it did not work. When she let the comedy of the situation speak for herself, it succeeded in fine form, as shown in this passage:

“Kevin came as a guest of another friend, didn’t know anything about me or my book, but stood first in line to get a copy and a picture. We eventually became friends.

“A couple of weeks later, while I was having a really crappy day, I received a message from Kevin. He said he was trying to eat better, and because of something he’d read in my book, he was able to skip eating donuts at work. He was super excited about it. He said he walked right by them, and called it a win.

“Some people in this world are saving lives in the jungle or making prosthetic limbs for the physically disabled. I helped someone skip a donut.

“As trivial as that was, his message made me smile.”

You see what she did there, I trust. In the process of illustrating a point, she presents the relative smallness of her achievement. Rather than belabor it further, she continues to describe the value of small, helpful decisions that make us feel good. This leads to getting her point across with comedy as a welcome side effect. This is what we get when we let the funny be itself.

Both of these are non-fiction examples, but the guidance applies to fiction as well. If you have set up an inherently funny person, scene, or situation, all you have to do is keep storytelling. The reader will find the humor. Too much belaboring reminds one of sitcoms that use laugh tracks, in my opinion a sure sign that the producers feel that the humor will not speak for itself. If it was that funny, they wouldn’t need to tell us to laugh.

You don’t need to tell the reader to laugh. Trust her to make that decision, and get on with your tale or exposition or whatever.

How really, really, really not to get your book reviewed

Lately I’ve had a rash of review requests that seem to emanate from a website about African American books. The fact that the books have AA themes is neutral to me; for me, the key question of interest is the genre and quality of writing. If it’s high-quality travel writing, for example, whether it is AA-themed or not means nothing; I will want to read it. If it’s religious YA, likewise, whether it has an AA theme or not means nothing to me: I wouldn’t have a reason to read it.

Most of the applicants are receptive to my typical reply. I explain that I’m not sure how the website got hold of my email, but that it was not my doing, and that I’m more concerned with genre and quality than with ethnic composition. And that I do very few book reviews nowadays, and that the applicant’s book as described doesn’t fall within my areas of interest. Nevertheless, best of success with your literary endeavors. Most authors respond with respectful thanks.

Two weeks back, I got duplicate mass-mailed emails from one Paula Wynne, asking if I were still interested in reviewing AA books, and proposing that I go edit my profile. I replied in my usual way, did not hear back, and figured that was the end of the matter.

It was not. Four days ago I received another mass mailing from Ms. Wynne, complaining that I had not opened her recent emails (I’m interested in how she would deduce that), and asking if I wished to remain on her contact list. I was again directed to update my “reviewer profile,” or offered an unsubscribe link.

Here’s my theory on unsubscribe links: I can validly be asked to use them only if I initiated a subscription in the first place. Thus, if someone else added me, I’m not jumping through hoops. I will simply tell them in the clear: yes, unsubscribe me. That is not what they expect. I don’t care. So in response to this email titled “Do you still want to hear from me?” I answered: “Won’t be necessary, thanks.” I figure that’s clear enough. For Ms. Wynne, doesn’t seem it was. She responded by saying that I had sent her an email with no text, and what did I want to do?

This had gone quite far enough. Figuring things needed spelling out and repeating, I said:

“I wrote something on the email; please look below “Do you still want to hear from me?” in the quoted emails.

In short: I never requested to be subscribed to this list, it appears my name got there due to an entry on a website that I did not myself initiate, and therefore I most definitely do desire to be unsubscribed from a situation that in no way reflected my will. I responded to your original email to explain the situation and did not receive a reply (normal when one has inadvertently disturbed a person), so when it was obvious I was still on the list, assumed that this was one of those lists that ignored common civility. I’m heartened to see that this may not be the case.

In any case, let me reiterate that I wish to be removed from this involuntarily ‘subscribed’ list.”

Of course, rather than offer a fairly dumb reply, it would have been better to simply unsubscribe me in silence. Instead, I got:

“Thank you Kelly, you won’t be contacted again.”

How’s that? Addressing me by last name, like we’re boys on a junior high school bus, and misspelling it into the bargain? If she was out to piss me off, I guess she can count coup.

Lesson for self-published writers is:

if you send mass review-soliciting emails based on some source website, and;

if you are politely told “not interested, thanks, but good luck,” and;

if you can’t take that as guidance and just go away, and;

if you then must have it spelled out for you, as if you were a child, then:

whatever you do, do not turn around and address this person whose time you have wasted, who could get irritated enough to give you publicity you would not desire, in a way that will convey your contempt rather than your respect.

Really, seriously, for true, no joke, don’t do anything that stupid while promoting your books.

A boy and his telescope

Some time ago, there was a terrorized, traumatized early teenage boy. He lived in a small industrial town, in which he did not fit, and he was socially awkward on top of that. For seven years, he would be the prime target for every form of social mistreatment that the minds of teenagers could imagine. This would leave him with PTSD, to the point where it would be perilous to come up behind him or surprise him with even a pretend threat. The experience and aftermath rewired his brain, as PTSD does. Its effects would haunt him even as his hair thinned, then faded to silver and white.

Few of the boy’s peers shared any of his cerebral/nerdly interests, and none shared his interest in astronomy. The town’s river valley was not an ideal region for stargazing, but one takes what one can get. On his eleventh birthday, his parents got him a new Sears, Roebuck 60mm telescope. The literature billed it as a 350x (with Barlow lens), including an image erecting prism, spotter scope, solar projection screen, and right-angle lens. Three eyepieces, from about 35x to 175x.

The telescope opened up an amazing world, though it also introduced the boy to the concept of deceptive advertising. The Barlow lens, which was supposed to double the power, ate up too much light to be useful at night. The image erecting prism and right-angle lens, at least, worked as advertised. It was only a 175x altazimuth mount telescope, without an equatorial mount or other bells and whistles, but for him it was great. On any clear night, the boy would be out there getting a closer look at the Crab Nebula, Saturn’s moons, the Andromeda Galaxy, the gorgeous array of tiny electric sapphires known as the Pleiades, the surface of Mars, and many more.

A nearby observatory was always willing to help when he phoned them to ask where a planet was, since he lacked those resources himself in pre-Internet days. By the time he was ready to graduate and leave the hellhole forever, he could always identify the planets unassisted. Jupiter? If it’s brilliant white, brighter than any star, and isn’t at sunset or sunrise (if it is, maybe it’s Venus instead), that’s all it can be. Mars? Like Jupiter, not quite as brilliant, and distinctly reddish. Saturn? About like a very bright star, but doesn’t flicker like one, and yellowish. Even a binoculars would show its rings, like a little flying saucer, but the telescope showed them in full clarity.

Life happened; college, graduation, underemployment, marriage, life crises, moves, healing, bereavement, surgery, technological advances. In spite of the PTSD, he gained enough perspective not to dwell upon the horrors of the past. With help from his wife, he overcame much of his social awkwardness; group events would still be work rather than play for him, but the man-once-a-boy would at least walk away from most such events feeling he had not embarrassed himself. And through almost half-a-dozen moves, the man still had his old boyhood telescope.

The man had always taken good care of it. He still had the documentation from Sears, Roebuck. It lacked only one small bolt to hold in place the little lamp on the accessory platform. A trip to Ace hardware, some lens wipes, and it could be ready to go. But there was a problem: it was forty years out of date. He would never again use it, and deep down, the man knew this. He was of an age when excess things were becoming impediments, especially fragile things–however beloved–that he would never use and enjoy. If the man wanted a telescope, he would buy an excellent modern one for the price of four or five hours of his labor.

The telescope, an old friend from the bad days, needed to begin doing someone some good. The man advertised on Craigslist for a deserving family with a precocious child, but didn’t advertise in the free section even though the telescope would be free of charge. The free section was the haunt of people who would happily say anything to make a gain. Other than a couple of kind comments, the man received no responses.

Then it occurred to him to phone the nearby elementary school. It was a STEM school, in a state where public educational funding was parsimonious. Would they like a telescope in good working order? Why, yes; yes, they would!

The man gathered together all the telescope’s parts, checking to see what might be missing. He loaded them into his vehicle, and went to meet the elementary school’s vice principal. She was excited at what the telescope might mean to her young charges. She explained that it was a high mobility school, that they typically saw a child for two years at most due to short apartment leases. She asked whether he would mind assembling it, and as he put it together for the last time, the man assured her that even a couple of good educational years–like those he had enjoyed in early youth, before his parents had moved him to the small town where he had been given the telescope–could get a child through ten years of hell. He held back most of the worst parts, but told the vice-principal enough about how hell looked that she got a little misty.

When it was assembled, and time to go, the man felt his own eyes watering. He laid a hand on the telescope’s white side, undented, unscratched, and cared for all these years. “See you later, old buddy. Teach the kids.”

It wasn’t the parting from a thing that made the man’s eyes moist. It was the memories the telescope had meant. It had been a rare thing of joy in a time with few joys.

He shook the vice-principal’s hand, thanked her for her time, accepted her polite thanks, looked one last time, and finally walked away from his old friend of the hardest times.

Sometimes, he thought, one has to give one’s old friend a chance to make some new friends.

Scumbag studies: Arnold Rothstein

He’s the perfect subject for this series, because he was a complete scumbag–just not in the ways most people imagine.

  • He didn’t fix the 1919 Series.
  • He was a gangster of Jewish heritage, but never part of a Jewish gang.
  • He may have been the brightest underworld figure of his time, a lock to succeed in legitimate business had he chosen to do so.

Arnold entered the world in 1882, son of Abraham and Esther Rothstein, of Manhattan. His parents were respected well beyond the observant Jewish community in which they lived, Abe being well known as an honest straight shooter (and not in the literal sense). Arnold was the family’s black sheep, quitting school early and marrying a non-Jew. To Abe, that was equivalent to his son’s death, and the father performed all the mourning rituals of Judaism. Arnold never outwardly repudiated the faith of his culture and upbringing; he simply did not practice it. He would one day be buried in a skullcap and tallit (prayer shawl).

A.R., as many referred to him, built his fortune as a professional gambler. Cards, the racetrack, didn’t matter; he was in. If he could fix it, he would. Many sought to clip him with fixes of their own, and in those circles, the rule was that the winner was the winner and the loser was the chump, and still had to pay up. He was no greedier than the rest of his ilk for that era, just better at it for most of his life.

My assessment: the 1919 World Series fix was the worst thing that could have happened to him. He didn’t do it, but the bum rap stuck to him. A couple of the players initiated the fix, and pitched the idea to Rothstein through intermediaries. Rothstein didn’t believe it was feasible to fix a Series; one biographer says A.R. respected the national game too much to do such a thing, and that’s where that author loses me. I know of no other evidence that A.R. gave a damn about the integrity of anything except the obligation to pay whatever portion one must of one’s bets and debts, and if bought, to remain bought. What the Series fix did to Rothstein was make this intensely private and reserved man into a public figure. It didn’t matter that he didn’t put the fix in. Enough people believed it that his innocence didn’t matter; plus, in fairness, as Aunt Polly said to Tom Sawyer, he didn’t get a lick amiss. Before that, the public mostly neither knew nor cared about A.R. After the Black Sox Scandal, the public knew it ought to hate Arnold Rothstein–and from 1920 on, he had scrutiny like never before. He had never wanted public notice, and he now had the worst possible kind.

Rothstein was a gangster, but not as many modern folks view a Prohibition- and pre-Prohibition era gangster. The modern tendency is to see those gangs in ethnic terms, and in many cases that was so. In that of A.R., not so much. There is no evidence that he ever put heritage above money; he was an equal opportunity opportunist, if one may pardon the clanks that emanate from that descriptor. As a gangster, his genius was constant evolution and a formless organization. One could look at, for example, Dion O’Banion’s mob in Chicago and say: “Irish gang.” It was an organization, well known, and those who were in, were in. Rothstein never had anything of the kind. He had deals going, with whomever for whatever reason, and when a line of trade became less profitable, he walked away with what he had earned. He gambled, bootlegged, sold insurance, whatever came his way. Until the last years of his life, he never followed a bad play off a cliff, which explains his enormous wealth. There were always new opportunities, and payoffs were the price of doing business. He did business with Tammany, but was never their creature, nor were they his.

As a personality, he was calm, reserved, urbane, polite, private, and patient. I have no way to know, but I watched the whole run of HBO’s Boardwalk Empire, and I find Michael Stuhlbarg’s portrayal quite credible. A.R. was so reserved that his wife, Carolyn, eventually moved to divorce him. To go by her memoirs, he loved her as much as he was capable of loving any person, but hers was the proverbial gilded cage.

There is so much we don’t know about A.R. and never will. His 1928 shooter did not kill him immediately, and Arnold didn’t squeal; we still don’t know who did it. There were elements of the police that did not much want to solve the case. Toward the end, Arnold’s gambling wasn’t going as well as it had before. It is hard to imagine that his death was not a result either of some past grudge, or some scheme or bet more recently gone against him.

Was he a scumbag? Fair to say, but he wasn’t one for the oftenest-thought reason. He was wealthy, introverted, brilliant, and private. He was deeply corrupt, and he had plenty of company. Whatever other names we might call Arnold Rothstein, there is one I am sure no one ever used.

He was not dull, in any sense of the term.

Retiring jerseys is unsustainable and makes no sense

It’s unsustainable because one eventually runs out of numbers to use. Including 0 and 00, one hundred and one numbers are available without resorting to triple digits.

It makes no sense because it kicks the can down this unsustainable path, leaving future generations with the headache (much as my generation has done with most of the real problems it has faced).

It is least dumb in basketball, with its small roster sizes. One could go on retiring a jersey number per year for fifty years without much crowding the available pool of numbers, provided the rule against numbers using integers 6-9 is repealed). It is dumbest in football by far, and especially in college football. Including walk-ons, a college football roster typically tops out around 115 (enough to outfit ten basketball teams, six hockey teams, four or five baseball teams). Take a look at a roster some time. The majority of numbers are used twice, and most teams have to keep a few numbers back without names or assignments, as jerseys to put on a given player in potential number conflict situations.

Most retirement of numbers comes in the heat of an emotional moment: a recent retirement, a death, what have you. I do not look down on collective grief or adulation; I just don’t believe a retired number is the best method. Rings of honor, team halls of fame, anything sustainable: excellent. Retired number? It can’t go on.

In college football, sooner rather than later, it will get to the problematic stage. The pros, with their 53-man rosters, already run into problems because of the prevalence of numbers below 20 (mostly quarterbacks and kicking specialists, until recently) and between 80-89 (mostly tight ends and receivers; nowadays the receivers are taking the teen numbers) that get retired.

When a given team starts to run out of numbers, be it ten years from now or fifty, it will have to begin unretiring them. What then? How will we decide that the kid whose number we retired in a fit of grief over his auto accident, “uh, gee, well, we really need some numbers back, sorry, kid’s family?” At Tennessee football, there are four retired numbers for players who died in World War II. They have since retired three more. At some point, it will get harder to retire more numbers. Are those future kids less deserving than those of yesteryear?

It just has to end. Even if each team maintained just one retired number, there will be a quandary when another loved or mourned great comes along. Do you unretire the old number to retire the new one?

Rings of honor. Halls of fame. Put up a statue. Name something after the player. There are so many better options than taking a number out of the pool. My own pet idea: unretire all jerseys, but for those numbers that were retired, or are in a ring of honor, authorize a name tape to be worn on one shoulder in honor of the recognized past holder. If West Point can wear different units’ shoulder patches on its uniforms, surely we can run to this.

As for retiring them, let’s just stop already, before this gets sillier.

All about Messing With Telemarketers

It’s not just a fun hobby; it’s now a website, whose author has written a great book. Much of the insight presented here emanates from my interpretations of Haven Riney’s methods, for which I extend him his due full credit.

Where Riney’s mind and mine meet is where most disagree with us both, to wit:

  • Problem: telemarketers waste our time and annoy us.
  • Most people: just hang up on them, not worth your time.
  • Riney and I: torment them and waste their time in creative ways that amuse us.

I can’t speak for Riney, but the way my mind works is that we make the world a better place every time we make bad behavior less profitable. I also believe we should find ways to enjoy making bad behavior unprofitable.

Riney draws a valid distinction between telemarketers (who intend to deliver a legitimate, if stupid and/or useless, product or service) and scammers, whose work is to steal. I agree with his recommendation, that one show telemarketers a little more mercy than scammers. In my view, the scammers are fair game for everything including a scam of one’s own. There is plenty of e-mail scamming going on, as all of us who know and love 419eater.com are aware, but Riney covers only phone scams. The most common one at this writing is the fake IRS collector. Among others, in the book Riney reacts to many iterations of the Windows Security scam. I’ve had lots of those.

Riney, it seems, is a born actor and improv comic. His dialogues with telemarketers and scammers are genius. He nearly always knows how to run with any reaction he might encounter. I hope his book sells quajillions of copies, makes him rich, and inspires so many people to take up telemarketer-tormenting and scammer-tormenting that both become unfeasible economically, horrible work, and die out. (This will unfortunately destroy the economy of Boise, which is the Unaccented English Call Center Capital of the world these days. Can’t be helped.) I doubt Riney’s skill can be taught.

For some of us, it’s harder. I’m not very good at handling surprise lines of inquiry off the cuff. I need a plan, some prompts, a little preparation. I don’t think I’m the only one. So what I’m going to do is glean from Riney some tips that will enable others, who might also need a little advance prep, to screw with these people. I’ll add my own inspirations, in case they help.

One of Riney’s best methods, which won’t work for me, is to react as if one were a given film character. It helps if one can pick a suitable film character for the line of inquiry. For example, Riney responded to a health insurance query by pretending to be Steve Austin, the character on the 1970s show The Six Million Dollar Man. He presented as Star Wars characters. I think it’s a great idea if you watch much pop culture (I don’t) because you can adopt a persona and react as that person would. If it’s someone that few foreigners would probably suss out, better still. In my case, I’d have to think of a few in advance so that I could react on the fly.

Another method is to adopt a made-up, bizarre persona. Riney did several of these, usually with names that would read very comically. A given persona might desire to re-enact the battle of Gettysburg with rodents as the actors, or claim to be in the process of actually holding up a convenience store during the call. I’m not able to do this at all without time to process, but some people can.

One that occurred to me: why not claim to be an animal of one’s choice and knowledge? “My name is Mr. Ursus. I like honey and salmon.” Then give the sorts of responses that would be reasonable for a bear.

Other methods used or inspired by Riney:

  • Adopting a very odd manner of speech, such as like a Star Trek computer voice or somesuch.
  • One of my inspirations would be to do a very heavy foreign accent, such that it was difficult for a foreign speaker to understand. Even a very heavy domestic accent: if you’ve always wanted to see how your drawl sounded, that’d be your chance.
  • Random quotes would work, if you were encyclopedic and quick enough. Riney is; I’m not.
  • One of my favorites with the Windows Security scam is to pick a random non-computer device, such as my microwave or toaster, and pretend that I think it’s a computer. That gets them very frustrated. “It doesn’t have the key you are talking about. It has this sliding thing alongside.”
  • Claiming to be occupied doing something fairly gross while talking. The funniest one in Riney’s book was the one about getting a rectal piercing. You could claim to be eating live mice if you thought that would rattle them.

Just as people advise writers to write what they know, the common thread here is to act out what you know. If you know your cat’s personality well enough, act it out. If you’re a huge fan of Tatiana Maslany (and you should be), pick one of the Orphan Black clone characters (I vote for Helena). If a cow could speak in response to a telemarketer or scammer, what would that cow say? You could pretend to be your Prius, your conure, your schnauzer. I think the key is the ability to imagine a different perspective and play pretend.

Many telemarketers are so wrapped up in the script that they don’t use any active listening at all, as Riney’s results illustrate. In many cases, he even answered the phone with “messingwithtelemarketers.com,” yet people just rolled through their scripts. Riney got so many calls from the same scam artists that he got to know a few of them, even had candid conversations with them about how the scam worked. One of the more interesting revelations is that scammers use the MagicJack device to fake phone numbers, but that they themselves get hacked by other thieves, and it bothers the scammers a lot.

I have no patience for the argument that there is anything wrong with being unkind to them. When you are in a bad business, people will be unkind to you. That’s because it’s a bad business that deserves unkindness. Suffering goes with its territory.

If you question whether it’s worth your time, which is a valid question, consider this. While you’re wasting this person’s time (by donating some of yours), you aren’t wasting yours. While he’s talking to you, he’s not available to run game on Mrs. Edna Miller of Wausau, WI, who is a little confused nowadays and is thus vulnerable to such tactics. If every telemarketing or scam call resulted in wasted telemarketing or scammer time, the world would be a better place. None of us can stop it singlehandedly, but if we all pitched in a little time, we’d have a little fun while helping the vulnerable.

I feel energized. I think my next scam caller will hear that I am Sarah Palin, or Johnny Manziel, or Octomom, or Ban Ki-Moon, or a grackle.

The Strange Second Life of Thomas Weaver, Bowl 6 and final

This, now out in Kindle, completes the serial novel Shawn began some time back. I was developmental editor.

Some time ago, Shawn proposed the saga of a middle-aged loser who commits suicide in his early fifties and awakens in his fifteen-year-old body, over thirty-five years back in time. Writers often bomb at time shifting and travel, because it keeps creating thorny issues that most authors gloss over or mishandle. When Shawn brought the idea up to me, I hammered on that point. If he must do it, and couldn’t be dissuaded, very well; but he should know that I wasn’t going to sit quietly and accept crummy shortcuts without vocal objections. He expressed an interest in my vocal objections, then got to work.

We had our first big disagreement during Bowl 2, if memory serves. I should put this in perspective: by a disagreement, I don’t mean we had harsh words, hard feelings, or anything negatively affecting the relationship. Rather: Shawn wanted to do what he wanted to do, I told him it was a very unwise idea, he explained his reasoning, and we ultimately worked out a plot solution that didn’t give either of us heartburn. During Bowl 6 the last, we had another round of these, both of which centered around the nature and timing of the rebirth of souls in his universe. Shawn was leaning toward actions and solutions that he felt would be more emotionally satisfying to the reader. I was arguing the side of situational ‘physics,’ used in the loosest possible sense given that all of this time travel stuff–and angels, for that matter–go against all our known conventional physics. By physics in this context, I mean what a thinking person could logically infer given the altered assumptions in play. I guess it’s fair to say I prevailed, though not in some overwhelming way, because when I object to a plot choice, it doesn’t very often mean that I am insisting on a specific alternative. It means I feel strongly that we need something other than what the author is proposing. If that’s how I feel, I must participate in helping the client perfect a solution that will pacify me.

I also did a thing the reader has no way to notice, but that I think will affect Shawn’s writing going forward. As I see my job, to the extent my client wants to grow, I always have some duty to teach. Difficulty: I am a very linear thinker who tends to dial in on a given mode and stick to it. This can result in very disciplined, consistent work, but it can be fundamentally uncreative since it may disregard for too long signs that the chosen mode is unsuitable for the best outcome. In this context, it means that when I am reviewing, I am not editing. At all. I salt the ms with little margin comments, always in lower case to distinguish them, so that I make sure to fix certain things when the real editing begins: “nts ghastly phrasing” “sp” “nts punct” “tcfkao”* and so on. (‘nts’ = ‘note to self’.) I don’t want or expect the client to fix these, though if s/he chooses to, what am I going to do, complain? I am better at review and commentary and teaching when I’m not being the punctuation mechanic.

Here, Shawn had a section that was well isolated from the rest, about a third of the way into the story. For those who end up reading it, it’s the very significant discussion Thomas has with Anne. The original was full of overtell, enough that it would be more like rewriting than editing. I don’t mind doing that, but it’s hard for an author to learn from tracked changes. So, this once, I did the editing early and asked Shawn to go over it with great care, and in each case put his takeaway lesson in comments. Afterward, I found it very hard to get back into the I-will-read-and-comment-without-changes mode, and I probably did some minor edits without thinking about it. No harm done, just one of the situations we encounter, germane to a piece on how the sausage is made.

The end result is something that keeps taking on the tough questions even as it rides into the sunset. I think readers will love it.

 

* The Comma Formerly Known As Oxford. I’m in full earnest about my rejection of Oxford’s moral authority over the English language after they sighed and said that ‘literally’ can mean ‘metaphorically.’ It can’t, they’re wrong, that decision was moneychanging in my temple, and I will drive them from it with scourges. However, the comma situation still remains, and we need a reference term for it. Ideally it would be a reference term that aims a banderilla at Oxford’s overhyped withers in every feasible instance. Therefore, “tcfkao.”

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