Word comes to me of the passing of one of my life’s most inspirational figures: James Alan Bouton.
Jim was a professional baseball pitcher, inventor, author, and motivational speaker. He enjoyed brief but eye-opening success with the Yankees in the mid-sixties–won two games in a World Series, for example–until his arm began to give out. Reinventing himself as a knuckleball pitcher in his first comeback, he caught on with the inaugural Seattle Pilots in 1969. The Pilots traded him to Houston during the second half of the season. He was mostly effective in relief for both teams, but not enough to guarantee staying.
Few of his teammates realized that, during 1969, Jim was writing a book. Unlike most baseball books, this one would tell the whole truth. Ball Four, perhaps the most important baseball memoir ever authored, would forever polarize Jim Bouton’s world. His detractors would accuse him of revealing material shared in private, embarrassing baseball, ingratitude toward the game, and other unwelcome deeds. His supporters, including me since my teen years, would laud him for writing a very interesting book; telling the honest truth about the lives of professional ballplayers; refusing to conform to the establishment (and baseball’s establishment has long been full of Stuffy McStuffshirts); and countering the dumb jock stereotype.
Neither side is entirely right or wrong, but there can be no doubt of my position. I’ve never imagined Jim Bouton as a perfect man, nor does he present himself as such in Ball Four or his subsequent books. For me, a bullied intellectual trapped in a horrible situation with nearly no person or institution to take my side, Jim’s book gave me heart. It may be one of the reasons I didn’t go all the way around the bend.
In 1990, while unemployed, I took the time to find a mailing address for Jim Bouton. I felt he needed to know how much I appreciated his work, and I told him what it had meant to me. I didn’t expect a response. Three months later, a UPS driver delivered me a small parcel: a copy of the 1990 re-release of Ball Four. I opened it to see the inscription: “For Jonathan. Smoke ’em inside. Jim Bouton 8/90.”
You may imagine what that meant. Later, with the rise of e-mail, I would have a couple of exchanges with him. I would learn that my letter had made it into a special file where he kept those that meant most to him, letters he would take out and read again on bad days or for inspiration. I learned that as much as Jim Bouton mattered to me, it turned out that in a small way, I also mattered to him.
Jim made a second baseball comeback in the mid-1970s, ultimately reaching the Atlanta Braves. He didn’t stay, but he did reach his goal, and in the process had a number of adventures including a turn with the Portland Mavericks. Let’s give you a sample of Jim’s writing style, and let him tell it:
“The Mavericks were the dirty dozen of baseball, a collection of players nobody else wanted, owned by actor Bing Russell. The team motto could have been “Give me your tired, your poor, your wretched pitchers yearning to breathe free.” In a league stocked with high-priced bonus babies, Maverick players made only $300 per month and had to double as the ground crew. Revenge being a strong motivator, the Mavs had the best team in the league.”
I so wish the Mavs still existed.
Jim Bouton meant more to me than a distant inspirational figure in another way, in that I also made two baseball comebacks. The first occurred when I was 29, having not played since my high school catching and outfielding days ended at 17. Six years later, including five with the Seattle Giants (PSMSBL; just to be clear, I always had to pay to play; I was never paid to play), my achilles tendon parted as I took a step toward the dugout at the end of an inning. We moved from Seattle to eastern Washington. The walking cast came off. I followed the instructions. And then I learned of a local MABL league that was offering tryouts. Even lousy catchers always get drafted, and I turned out. An expansion team picked me up, but the next year that group would morph into the Tri-City Rattlers. I would play there until I was 44, when a brief juke to avoid a fastball to the knee tore my cartilage and induced me to hang ’em up.
For that second comeback, I switched from my old number standby of 9 to 56, Jim’s number all through his big league days. It always made me proud when anyone would ask about it. I even worked hard enough on my own knuckleball to get two pitching tries, one a start. I’m pretty sure our manager knew we were going to get clobbered and felt that our usual pitchers were in serious need of rest, but I still went five innings. I’d watched people try to bunt the knuckleball from behind the plate, but never from the mound. Most amusing.
One may well see reasons I always felt close to Jim Bouton. Later in his life, he added to his authorial body of work with a fictional story about a bribed umpire, then the non-fictional story of his efforts to save an aging historic ballpark. His website advertised his services as a motivational speaker, and he was in demand at Old-Timers’ and commemorative events. I fell in with the Facebook group Ball Four Freaks, a hilarious place where it is always customary to respond with lines from the book. A new member shows up? That’s part of the heckling. “Hiya, blondie, how’s your old tomato?” “That sure is an ugly baby you got there.” “Okay, all you guys, act horny.” Everyone who loves the book gets it immediately. We don’t get many phonies. One fun aspect is that Jim’s son, Michael, will stop by now and then and can answer a question or two.
Jim Bouton did much in life, most of it after his best playing days. He kept playing semi-pro, then amateur baseball until his seventies, when he helped start up an old-time flannel league. To the end, he was as accessible as he could be to those of us whose lives he had affected. He wrote a number of great books, all themed around baseball. He has now stepped off the mound for the last time.
He will be remembered after many of his contemporary athletes have faded from the public mind.
As for me, my eyes very rarely even begin to water in grief. They water easily when I am moved by action or achievement of valor, but rarely in grief. It is not that I do not mourn; it’s that I mourn in introspective silence. This time, they watered.
Books by Jim Bouton:
Strike Zone (with Eliot Asinof)
I Managed Good, But Boy Did They Play Bad (edited/anthology)