Tag Archives: editing services

What’s wrong with America’s Book of Secrets

These days the fare on satellite TV is so bad I wonder that Waste Management doesn’t start buying them out. My daily routine is to go through specific areas of the guide and see if there’s anything I want to record. Maybe about 3/4 of the time, that’s a “no” (if I’m being fairly restrained) or a “good lord, look at all these oceans of bullshit” (more frequently). Not feeling it.

I’m sensitive to names. One thing that bothers me more than the average person is a deliberately misleading or falsely titillating title. If the title is also imbecilic, that’s even worse. And here we are with this show, which airs on the Ancient Aliens Channel. Or the Pawnshop Channel. Or the Does Real Evidence Confirm my Religion Channel. That’s what a cesspool History has become, and it somewhat reflects the general trend of national mentality in that it’s gotten a lot dumber.

So when I saw America’s Book of Secrets on the ex-History Channel, I gave it a look in spite of the ridiculous name and premise. I feel for the hosts (especially Lance Reddick, who was one hell of an actor), having to play to that notion and act as if he could possibly believe there were such a thing. No one with an MFA from Yale could possibly be that vacuous. (A Yalie Bachelor’s with a Gentleman’s C is quite a different story, as we rather ruinously learned.)

How do I know that? BECAUSE THE VERY CONCEPT IS ABSOLUTELY IMPOSSIBLE. I don’t raise my voice very often, but that question would merit it. The idea that there is any sort of literary repository where our overlords have gathered together all the hidden truths and naughty deeds doesn’t even give said overlords credit for basic intellect and common sense. For most of my lifetime, at least, that was unfair to them. They might be greedy, they might be evil, they might be enemies of democratic institutions and traditions, but they were never moronic enough to contemplate this. What if it got out? The best way to assure that it did would be to aggregate it all in one easily copied volume. Even if our leaders would be that stupid, the members of our intelligence community would not be.

The closest that happened was probably when the post-Watergate funk led the then-Director of Central Intelligence to order his agency to ralph up every dirty deed they knew about. This report was called the Family Jewels, and it made a nice post-inauguration present for Gerald Ford. Yeah, that was something like a book of secrets, but it wasn’t all the secrets; it was just the ones that involved activity outside the agency’s charter (pandering to the amusing notion that such a charter is ever allowed to get in the way of whatever it is they were told to do). It was a sheaf of paper of some secrets, which is not rare currency around intelligence agencies. Big deal–well, at the time it was. A bunch of people lost their innocence and realized that even republics with rules have intelligence agencies that violate those rules daily. Pearls were clutched with a powerful clutching.

The show itself is rather good, if you can get past the misleading title and its fundamental insult to the intellect. There’s some conspiracy stuff here and there–some pretty silly, some at least not offensive to the intellect–and the hosts keep on mentioning the show’s title (production must be writing the script so that they keep hammering on this dumbth). They explore some interesting (and often horrifying) outcomes, groups, events. Now and then I actually see something that sounds worth the trouble to verify.

So what’s the big deal about a title? Because this is how short attention spans are manipulated. You’ve seen plenty of online news headlines with titles that had little relation to the articles’ content. Do you think that was an accident? Ha. Was it sinister? Only to the degree that you consider clickbait and deliberate misleading to be sinister. Often such misleading is euphemistic because the reality or association became unsavory. Take The Hemlock Society, which used to advocate for the right to kill oneself. Now it’s ‘rebranded’ as Compassion & Choices, focused on “legislative change” that’s never going to come on the national level. Over time, a different name reprograms the way people look at a thing. The advertising world knows this and does it better than anyone, which is why I avoid every drop of advertising I can.

So yeah, I like the show but resent the title. I resent it because it carries the fundamental implication that I’d be idiot enough to believe there were such a thing as America’s book of secrets.

A reading holder design for readers like me

If you are reading this, you probably read real books. If you are at all like me, you don’t like to break the spines or crease the covers of paperbacks. This is all fine, until you are sitting outside on a beautiful day enjoying a book on revolutionary France that weighs about two kilos (all modern books on France seem to weigh about that much). That’s a lot of book for aging arms to hold up. Some elders might find it uncomfortable even with both hands, and then there’s the tendency to lose one’s grip.

After searching high and low for a designed solution, I solved it with my own homebrew design. This is my gift to you.

Needed:

  • Vendor snack tray made of light wood with adjustable strap. I bought one online that was billed as being for theme parties and showed a woman in ballpark vendor drag with a tray full of popcorn bags. Cost about $30–like what you would spend for one large new book.
  • Velcro patches x 4, typically sold in little packets for ~$5
  • Thumbtacks x 4, cost probably $0
  • Hammer (you surely have one)
  • Tape measure (if you’re as fanatical as me about alignment; you surely have one)
  • Strap pad like the ones for seatbelts (optional, cost roughly $10-15)

Method:

  • Sit down and adjust the strap on your neck so that the tray resides where you would like to have the book rest. For me it was about 12″ from my face, so I could read without reading glasses.
  • Take four of the small rough velcro patches (you won’t need the soft fuzzy sides; do as you like with those). Measure the center of one side and stick the four patches where they will press against your clothing. I spread them over about a 6″ area.
  • Put the tray somewhere that you can pound against, like the overhang of a sturdy counter, with the patches up so that the counter backs up the tray’s rim.
  • Since adhesives never hold reliably, knock a thumbtack into each velcro patch. Obviously, excessive force is neither desirable nor needed. My granny could have done this. You got wood rather than plastic so you could do this.
  • Get a big thick book you like, sit down, put it into the tray, and see how you like the fit and feeling. Some people have neck issues (for example, maybe they had spinal cord surgery between C2-C3 with partial vertebrae loss and still get sore muscles; feel free to ask me how I know this) and a heavy book would be hard to support with a strap roped over the back of your neck unless you had a soft pad for it. If so, get the pad mentioned in the ingredients. The only people who can’t really use this are those whose necks simply cannot support the weight of book + tray.
  • Adjust the fit, alignment, and every other factor in play until it comfortably holds a book so that your hand can hold the pages open without effort.
  • Happy reading.

The end result is you’ve got a wooden tray suspended from your neck, held in balance by common sense and kept from moving about by friction from the velcro. If you avoid putting your page-holding hand on the edge of the tray, it’s lighter. There’s room to lay a bookmark, a pen if you like one, or a little reading light if you find that helpful.

  • Cost: $35-45 plus about five minutes of effort.
  • Payback: immediate and lasting. Experiment as you like, use whatever works best for you, and enjoy your books anywhere you sit.

Baseball’s scoundrels

With the recent arrival of a collection of baseball history books, I’ve been doing some reading. It does occur to me that of all the colorful creatures who have inhabited the world of baseball, some are honored whom I believe should not be–at least not without a fair presentation of their dark sides.

A bit about nuance, here. We live in a land ruled by single-bit binary logic: ours good, theirs bad; him demon, her saint; if you’re not for me, you’re against me (probably the stupidest of them all), etc. We developed greyscale and color photography, then forgot how to apply the concepts to life. Fact: The greatest genius almost surely has areas where they are stupid, and the biggest moron likely has some form of genius. I do believe that absolutes exist, but that they are the minority. I have a relative by marriage who takes it too far; I describe them as likely to protest that Hitler liked his dog and Jimmy Carter was a lousy president.

In baseball, as in life, qualities can be mixed. A player could do some horribly racist things, yet do some admirably anti-racist things. Is he a scoundrel? What percentage scoundrel makes a Scoundrel?

Labels are difficult, and rarely come without qualifiers. Describing human beings is messy. You can never quite scrape or razor off that little imperfection in the description. There is much of a person’s life we never know, and we have to consider the accuracy of what we think we do know.

This is why historians are allowed to continue as we are. While some rather famous ones aren’t so trustworthy, many do good work. Most of them do far better than (for example) that stupid book about Rudolf Hess being replaced at Nuremberg by a double, the real one being supposedly killed in a flying boat accident over Scotland. (Because you know that what the British really wanted to do with Hess is take him for a ride in a flying boat, and because it’s really plausible to find an actor willing to behave like an imbecile at a trial and then do life in prison.)

With that in mind…

Anson, Adrian “Cap”: player 1871-1897,  1b-3b, lifetime batting average .334, first to 3000 hits.

Why I consider him a scoundrel: Bigotry with a capital B.

Cap Anson was one of the professional game’s first superstars, with outsize influence on outcomes. A virulent racist, he used his influence to establish an informal but lasting color bar in professional baseball. If one believes in institutionalized racism as one of the most toxic manifestations of the general racism concept–which I do, because it has a lot to do with one’s power to oppress–his impact shows prominently. There were surely plenty of lifetime sub-.200 hitters as bigoted or worse, but that doesn’t get anyone major influence in baseball.

Why one might demur: Most of the country has always been racist, and a good percentage still is–including some of the most influential figures in the land. Why single out Anson when bigotry was the  white social norm? Any number of other players, mostly less prominent, might have taken similar stances.

Chapman, Ben: player 1930-1946, of, lifetime batting average .302; managed 1945-48.

Why I consider him a scoundrel: Anson would have been proud of him.

In 1947, of all the opposing teams that rained bigotry down on Jackie Robinson, Chapman’s Phillies were the worst and he was their worst. He’d always been a bad bench jockey, but this extension of it got him a sordid place in baseball history. It didn’t help that he’d always been a source of anti-Semitic haterade, so much so that as a Yankee player, New Yorkers filed a petition recommending that the team get rid of him. It takes a special kind of stupidity and bigotry–as well as pure evil–to thus alienate a key fan demographic.

And no, those I am singling out here for their racism were not necessarily unrepresentative of the times. Some were just more virulent, and/or in more of a position to do harm by their racism. They’re going to get it.

Why one might demur: I can’t think of a valid reason. Chapman went as far out of his way as possible to strangle integration and encouraged others to do the same. I have read that he expressed regrets later in life, but so have a number of scoundrels. He still tried to excuse it as just heckling, and that’s not much of a reform. Not feeling it–and none of it undid the harm he caused.

Chase, Hal: player 1905-1919, 1b, lifetime batting average .291, one of the best-fielding first basemen of his era.

Why I consider him a scoundrel: Because, by all accounts, Hal Chase never met a game he wouldn’t throw.

It’s not that there’s hard and fast proof that he bet on games, or threw them; it’s that he was so often noticed not giving his best effort, and there were so many rumors that he could be reached, that it’s difficult to imagine there being no truth to any of it–especially as, in later years, he expressed regret for having bet on baseball.

Why one might demur: What percentage of the greatest athletes of the time were implicated or fell under reasonable suspicion, at one time or another, in gambling or game-fixing scandals? The list is longer than you might think, and it includes…

Cobb, Ty: player 1905-1928, cf-rf, all-time highest lifetime batting average of .366; one of the all-time greats.

Why I consider him a scoundrel: Overall unpleasantness. One can tell this by the fact that when the lifetime MLB batting champ died, wealthy, paranoid, and cranky, only three of the ~150 in attendance were from MLB.

Let’s see. Prone to sudden violence, even against teammates and fans. Irascible at the best of times. Game based partly on intimidation (one can’t take anything away from the performance itself). Enough reports of virulent racist behavior that there is a whole movement to argue against that image. And yeah, late in his career, at least strongly suspected of the occasional thrown game; enough that he got more or less dumped by his team late in his career. If Kenesaw Landis, a far greater scoundrel in my opinion, had not wanted to keep his own image as savior intact–if he’d handled Cobb and Tris Speaker the way he’d handled the Black Sox–seems to me quite probable Cobb would have been banned.

Why one might demur: While it’s pretty hard to hose off all the incidents that testify to his racism, there’s also evidence that he didn’t shy away from helping black people over the course of his lifetime. It’s also true that he came up during the nadir of American post-Civil War race relations, in which the second KKK rose and black Americans were often targets for persecution, gratuitous violence, and were in the process of being driven out of many places in the North and West; it was a time where racism was the norm and the first big movie blockbuster celebrated bigotry. He said supportive things about civil rights later in life. As for gambling and throwing big league baseball games, there was a great deal of that in the first thirty years of the 20th century. It’s fair to say that Cobb was so unpopular and vindictive that it was easier to believe accusations against him than it might have against a well-liked player.

After doing some more reading about Cobb, I have a sense that his racism was not the virulent “enslave ’em all” kind, but the paternalistic “as long as they keep their place” sort. He was known to be kind to some black people, but to go into psychotic rage if anyone suggested he might be part black, or if a black person stood up to him. When one challenged his fundamental sense of entitlement, he is known to have lost his control multiple times. It’s certainly racist, but it’s a different kind than that of a Bobby Shelton. I leave it to the reader to decide which sort–if either–is worse.

Comiskey, Charles “Commy”: player 1882-1894, 1b (competent but unremarkable); manager over same span; owner 1901-31 (Chicago White Sox).

Why I consider him a scoundrel: To my mind, the true villain of the Black Sox Scandal.

There’s abundant evidence (thanks to meeting notes found in old files) that Commy knew the 1919 Series was dirty and kept it quiet–most likely due to a desire to keep the big gate receipts going even if his team was losing (and partly in the tank). A notorious cheapskate, he created the conditions by which a bunch of undereducated ballplayers might feel so unrewarded that some might listen to a teammate’s pitch to throw a Series. And when the heat came down, he took complete advantage of the bumptious naïveté of players over whose careers he had feudal authority given the reserve clause–he offered them “legal representation” in the form of Alfred Austrian, his own lawyer, who would above all guard Comiskey’s interests above that of the players.

Comiskey was a perfect example of the rich major offender exonerated while the commoners are railroaded into draconian punishment. To my mind, having him in the HOF is a disgrace, and he was everything that was and is wrong with a corporatist system that cares nothing for people except the profit that might be wrung from them.

Why one might demur: Well, let’s think about this. I suppose he was a builder of the game, at least of sorts. His example is said to have changed the way people played first base. Maybe playing/managing for Chris von der Ahe screwed up his mind. And the usual “everyone was doing it” argument does hold some water here, since most owners of his day were pretty cheap and took full advantage of the reserve clause; the counterpoint, of course, is the same as with Cobb’s vicious play and racism, namely that if it was typical of the times, what level of awful does it mean to stand out for bad behaviors? The natural assumption is that there was garden-variety bad, and especially awful.

Durocher, Leo “the Lip”: player 1925-45, ss (great field minimal hit), coach or manager 1939-73 off and on), four-time World Series champion.

Why I consider him a scoundrel: Not sure anyone did not.

Let’s see. Endless riding of opponents. Credibly suspected of petty theft in clubhouse. Credibly suspected of various hustles related to cards and pool. Lived way beyond his means, owing often and owing big. So consistently abusive toward umpires that he was ejected as manager an even one hundred times (and surely more as a player). Rarely knew when to keep his mouth shut. Four wives, and his advice on how to get laid sounded almost Trumpish in its disrespect for women.

Why one might demur: I know of no case where Durocher ever tried to pretend much nobility. He cared mainly about winning and money, understood well that they went together, and played/managed the scrappiest possible game he could. He was a smart ballplayer and manager, one who could get the best out of most people until the generations passed him by.

Since he was suspended for Jackie Robinson’s first season, it is sometimes forgotten that he faced down the white Dodger players who threatened to demand to be traded rather than play with a black teammate. Inexact quote: ‘I don’t care if he’s black or white, or has stripes like a fuckin’ zebra. I’m the manager of this team, and I say he plays.’ While no one who knows anything about Durocher imagines him a Great Racial Advocate, his own lust for victory did lead him to do the right thing.

Finley, Charles: owner 1960-80; three consecutive World Series victories.

Why I consider him a scoundrel: Because he treated his players like property.

It’s not like I lack company. Finley might be considered one of the most buttinsky owners in the history of a game full of teams run by egomaniacs. He had no baseball background (and zero respect for its traditions), and seemed to feel that owning a team should be no different in principle than the insurance company he’d built. His autocratic meddling came up with ideas like pressuring his players to change their first names for promotional purposes, trying to fire a second baseman for making errors, a designated pinch runner with no other baseball abilities, a mule as a mascot (encouraged to drop deuces in front of the other team’s dugout), orange baseballs, and so on.

Players and managers alike hated him. In fact, the only person I’ve ever read about who liked him was one of his daughters, who wrote a biography about him. (He cheated on his wife and was alienated from most of his kids.) Foreshadowing Phil Knight, he had the team wearing loud green and gold uniforms in many combinations that made lots of people hate even looking at them. I think it was pitcher Steve McCatty who commented on Finley’s open-heart surgery that it took eight hours, seven just to find the heart.

Why one might demur: Finley brought aboard plentiful talent on a team that had heretofore been in essence the Yankees’ farm team. I’m not sure how he accomplished that, but the facts speak for themselves, and this at least demands some respect for his understanding of a sport I’m not sure he ever played. He tried things, like Bill Veeck; he rejected the stuffy old-boy owners’ network (also like Veeck); what he lacked was Veeck’s instinct for what was entertaining, as well as Veeck’s ability to care about the people who worked for him.

Freedman, Andrew: owner 1895-1902; no noteworthy positive achievements

Note: this entry refers only to the executive born in 1860 and deceased 1915. No association with any other person by that name is intended, implied, or even contemplated.

Why I consider him a scoundrel: Obvious corruption.

Probably the deed that cemented him here is buying and then looting the old Baltimore Orioles–he released their best players so that NL teams could sign them. Especially the New York Giants, which Freedman also owned. I can think of some current politicians in my country who would shrug: “So you still haven’t told me what the problem is.” If people can’t see that, then let them see his arrogance, cantankerity, Tammany hackness, avarice, and mistreatment of players.

Why one might demur: At least he got out of baseball before he could screw it up even worse.

Frick, Ford*: NL president 1934-1951, MLB commissioner 1951-1965.

Why I consider him a scoundrel: Pick between the asterisk or his defense of racial exclusion.

High on the list is his special favoritism for Babe Ruth by the infamous asterisk ruling regarding the breaking of the Ruthian single-season home run record set in a 154-game season. As just about everyone with the slightest interest in history knows, Frick insisted that if the record took more than 154 games to beat, the entry in the record books would require an asterisk. The reason this is scoundrelly is that nothing of the kind was contemplated for any other record but Ruth’s, and that was because Frick had been Ruth’s fanboy as a reporter. Baseball seasons had often varied in length for whatever reasons (usually games that could not be made up, or playoff games to decide pennants); none of that had ever brought on an asterisk. Real fairness would be hard, so it wasn’t attempted.

Another reason is that he maintained the fiction that there was nothing preventing MLB teams from signing black players and was not aware of a situation where race had ever been a factor. In the first place, he either had never read about Cap Anson, or he was telling a near-Comiskical lie. In the second, given the success of Negro Leaguers against MLB teams in exhibition games, to pretend that Josh Gibson and Cool Papa Bell had simply not been good enough to help MLB teams was trans-Comiskical.

Why one might demur: Fair’s fair; when Jackie Robinson joined the NL’s Dodgers in 1947, not only did Frick not exercise his office’s power to prevent the signing, he replied to players’ threats of protests with the specter of suspension. Frick also played a key role in establishing the Baseball Hall of Fame, which I still want to visit, so maybe that’s a little personal.

Gandil, Charles “Chick”: player 1910-1919; 1b, .992 lifetime fielding average. (Also lifetime ban from organized baseball.)

Why I consider him a scoundrel: Ringleader of the Black Sox scandal.

Chick Gandil’s play would not have gotten him into the Hall, but it would have assured him a roster slot on any team wanting the game’s best fielding first baseman. A tough, rangy ballplayer who hit well enough and locked down first base, Gandil was a hard worker with a mean streak. He is infamous, and was banned from baseball, for his role as  a ringleader of the Black Sox scandal. While one understands the White Sox players feeling financially unappreciated by owner Comiskey, plotting to throw the Series was not the appropriate way to protest.

The Cincinnati Reds’ winners’ shares were $5207.07 each, so the starting calculus would be why the eight White Sox players involved would not simply play their guts out for that enormous sum rather than risking it all for more by dealing with crooks. Supposedly, the total on offer was $100K to be divided among the conspirators; if divided evenly, that’d only be about $12K each. Double the eventual winner’s share? Yeah, but what if they got caught? They did–and I would argue that giving Kenesaw Mountain Landis a pulpit from which to present hypocrisy is almost as bad as trying to fix a Series.

Anyway, Gandil didn’t play in organized baseball (a term I learned really means ‘baseball as approved by the U.S. game’s moguls’) after 1919. He died in 1970, somewhat repentant but never entirely credible in that sentiment. I doubt he would have regretted a bit had he collected $12K and never been found out. It looks to me like he actually promised the players shares of $80K, which implies that he meant to keep the rest for himself.

Why one might demur: One might begin by pointing out that most of the Black Sox were pretty bumptious, rather out of their league dealing with city-slicker crooks. That doesn’t make them saints, but it does mean they were vulnerable. One might continue by belaboring the obvious, which is that they worked for a first-class cheapskate and had no alternative employment options in their chosen profession thanks to the reserve clause. I suppose one might add that the Black Sox were acquitted in court–not that court verdicts or legal principles still mattered to ex-Judge Landis, armed with a mandate to make sure the public was lulled into a belief in the game’s ethical hygiene.

Grimes, Burleigh “Ol’ Stubblebeard”: player 1916-1934. p; p, 270 wins vs. 212 losses.

Why I consider him a scoundrel: A mean bastard.

The last legal spitballer (one of those grandfathered in when doctoring the ball was made illegal), Grimes was a fierce competitor who glared at every batter and declined to shave before pitching starts. He had a significant mean streak and was one of the great intimidators of his era. It’s not so much any one thing as his whole vibe of a nasty demeanor and willingness to throw at people. A good control pitcher, he only plunked 101 batters in a long career.

Why one might demur: If they’re your guys, they’re dirty headhunters. If they’re mine, they’re just fierce and unrelenting competitors who want to win and will defend their teammates. Obviously I go back and forth here, but when I imagine him stalking out to the mound after putting a new bit of slippery elm into his cheek before playing some chin music, I’m leaning toward scoundrel.

Johnson, Arnold: owner 1954-1960.

Why I consider him a scoundrel: Disloyalty to his own team in favor of a competing team.

Because, while there is no documentary proof of which I’m aware, the circumstantial evidence is that he bought a distressed team with heavy Yankees support and rewarded them by acting, infamously, as an unofficial farm club for the league powerhouse. Good players were shopped to New York in return for cast-offs who kept the Kansas City Athletics mired in mediocrity. That would be collusion, tanking, and a betrayal of the principle that a team’s management should seek to advance the team’s fortunes.

Do that in wartime and we call it adhering to the enemy: treason.

Why one might demur: Well, as mentioned, I know of no proof. It could walk like a duck, quack like a duck, and swim like a duck–yet be a goose, at least in theory. Some might buy that theory, even if I don’t for a minute.

Landis, Kenesaw: commissioner 1920-1944

Why I consider him a scoundrel: Such a legal showman. Today he’d have a daytime court show like Judge Judy.

Let’s see. Let’s start with the fact that he was a judge, which to me starts out meaning something far less respectable than what most people believe. He brought in autocracy, and a mandate to make it look as if major league baseball was a clean game. In so doing, he banned for life eight players who were acquitted in a court of law (never mind that at least half of them had it coming). If that isn’t a fuck you to the legal system, I’m not sure what is. He bullied, pressured, and intimidated people (mostly uneducated, bumptious ballplayers who had no way to fight back), in my view all in an effort to burnish his own Andrew Jackson-like image (and he bore an astonishing resemblance to that other old bastard).

And yet, once he’d made his Great Big Statement by banning all the acquitted Black Sox, his handling went much easier. Ask the shades of Tris Speaker and Ty Cobb, who only avoided the same fate (banning with questionable justice) because the game was now supposed to be Officially Clean. If that weren’t enough, he did everything in his power to prevent integration and perpetuate the baloney about “there’s nothing stopping them.”

I hold his memory in limitless contempt.

Why one might demur: It is fair to say that the leadership of MLB had been pretty much Ban Johnson’s own bullying preserve for decades, and it’s not as if Landis was that much worse. It’s probably fair to indict almost every owner of the era of sleazebaggery. It is also true that something powerful needed to be done in order to rid the game of the gambling plague, and certainly without making some examples no one would either pay any attention nor believe that leadership was serious about lancing that economic boil. History has mostly recorded him as this stern but noble savior of the game, rather than the ruthless and self-aggrandizing bully I consider him to have been.

Martin, Billy: player 1950-1961 2b-ss; manager 1969-1988; five World Series rings including one as manager.

Why I consider him a scoundrel: A drunk prone to punching people.

A fierce and scrappy competitor, Martin played rough and fought both readily and well. Let’s see: He was clearly an alcoholic, abused umpires (tossed from 48 games as a manager), and might slug anyone, any time, for any minor offense. He flipped a bird in his 1972 Topps regular baseball card. (The in-action card, fittingly, shows him arguing with someone. As a child, I got that card in a wax pack but was too young and naive to look at the hand down his leg.) He was outspoken, often demeaning to his players, and was frequently fired.

Why one might demur: Some of his controversial public statements were true. Even if he took his competitive nature more than a little too far, he was a sharp baseball player and strategist who craved victories. And as a player, he took modest talent and turned it into a career that included an All-Star selection through sheer hustle, will, and guts. People might call him an SOB, but not even his greatest detractors could say he ever failed to give his best efforts.

And anyone who fought constantly with fellow scoundrel George Steinbrenner had at least one redeeming characteristic.

McGraw, John “Little Napoleon”: 1891-1907, 3b-2b; manager 1899-1932; .334 lifetime, .586 winning % as manager with ten pennants and three World Series titles.

Why I consider him a scoundrel: Because McGraw was obnoxious, belligerent, and an unrepentant umpire abuser.

That might be why he was chased 121 times over a long career (though only rarely after 1916). Players had very mixed reactions to McGraw; some thought he was the best guy they could ever play for, and others wanted to go somewhere else.

Why one might demur: For one thing, McGraw at least showed open and public respect for the great black players he saw. I do not think any of those were still active as players soon enough to see the white major leagues welcome their talents (Paige, perhaps), but over the course of thirty years McGraw frequently contradicted the “if we could find a good Negro player, there’s no prohibition against him playing” hypocrisy by saying often: “I’d sign him in a minute if he was white.”  I don’t think that was without influence, McGraw being as noteworthy a judge of baseball talent as any of the greats. Another point of demurral would be his reaction to the Merkle affair. In 1908, Merkle hit a walk-off to drive in the winning run, the fans stormed the field, and Merkle did not take time to touch second base before heading for clubhouse safety; a ball, which might have been the actual ball in play, was relayed to second and Merkle was called out on appeal with the run not counting. The game was ultimately the margin of standing that enabled the Cubs to qualify for a playoff against McGraw’s Giants; the Cubs won.

While the media crucified him in the purple prose of the day–“Owing to the inexcusable stupidity of Merkle, a substitute…”, McGraw not only defended his player but gave him a raise. A capable athlete who had a long and successful career overshadowed by one moment in which he was called out doing a thing hundreds had done before and gotten away with it, Merkle took the stigma to his grave. Perhaps the greatest consolation he might have had was McGraw’s support.

O’Malley, Walter: 1950-1979, owner; four World Series titles

Why I consider him a scoundrel: Hey, everyone in Brooklyn does. I get their pernt.

Because, while baseball had always been a business on some level and owners had almost always been parsimonious scoundrels doing their all to make maximum money while generally undercompensating oft-bumptious country boys using the reserve clause as the weapon, O’Malley took it to a different level. The Brooklyn Dodgers and Ebbets Field were one of baseball’s sacred grounds, and he defiled both in search of more money. Had he sold the Dodgers, taken the money to California, and started an expansion team, that I would respect. I’ve never even been to NYC (except for a plane change at one of their airports), much less Brooklyn, but I feel for them.

Why one might demur: For all the customary capitalist reasons. His team and his right to do as he wanted; Western expansion was an idea whose time had come; at least the Mets soon came along to give New Yorkers non-Yankees to root for; greed is wonderful and beautiful and more greed is better; someone else would surely have beaten him to the opportunity; rah rah money money money. If you feel those things, yeah, you might well demur. I prefer to question the sacred principle of untrammeled greed, and I don’t think anything about this whole blog post leaves anyone doubting that.

Ruth, George “Babe”: 1914-1935, p-of; 714 career HRs, .342 lifetime BA

Why I consider him a scoundrel: What? In what universe are you permitted to blaspheme so profanely that you call The Bambino a scoundrel? Even his faintest damns are required to heap on mitigating praise!

As longtime readers of the site have determined, vulnerability to peer pressure is not one of my weaknesses. The fact is that Ruth was a bully, especially in his twenties and toward smaller players and managers, a quick-tempered and mostly ill-mannered lout.

Worse yet in my mind, he was congenitally unable to control his genital urges. I don’t blame him for getting laid, especially given that he was most often the hunted rather than the hunter; I blame him for cheating on his wife. “He was a pig, but he could hit” is true. It’s also true that when we marry, we make commitments. Our partners intend for us to take those commitments seriously, unless part of the commitment is that there isn’t a commitment. I think that’s rare. As with marital vows, Ruth made contrite promise after contrite promise post-naughtiness and dishonored nearly all of them. And the fact that he barely ever emotionally matured past mid-teen levels isn’t something I hold against him. Enthusiastic burping and farting, BO, and other social clodderies are unpleasant, but not the acts of a scoundrel. Same for being dumped in bad boys’ home at seven.

Why one might demur (rejecting “but he was the greatest ever” as a valid answer; I don’t care if he ascended directly to Heaven): While I am pretty sure that the Catholic friars at the bad boys’ school did their best to teach him some moral values, it’s true that he went from rags to literal riches as a young adult. He did not have the maturity to handle everything that happened once his talents became obvious. What he did have is a childhood of deprivation and abandonment. Go through that, then suddenly you’re getting all these nicknames, you can afford new cars every week if you want, life is an all-you-can-eat buffet, and feminine companionship won’t leave you alone. Doesn’t sound to me like a recipe for someone to act like a grown, intelligent adult male by 25. Or 30, though admittedly around that time he seems to have improved his behavior and started to act fairly adult.

Also in his favor is that he was a sucker for kids (and little people in at least one known instance), so at least he only picked on adults. You might say he was a scoundrel in whose shoes we never had/got to walk.

Schott, Marge: 1981-1999, owner; one World Series title

Why I consider her a scoundrel: Don’t know of anyone who doesn’t.

Marge Schott was reliably reported to be as bigoted as any executive of the pre-civil rights era (and some who came after). That was less the norm in the last two decades of the twentieth century, and her version of it was unbearable. She let her St. Bernards run free in the park, dropping frequent St. Bernard-sized deuces. She resented that the Series victory had come in too few games, cutting into her revenues. While I think that some of the loathing directed at her had to do with gender (as in, the men were expected to be this stupid, greedy, and bigoted, but a woman should not), it’s not like she failed to come by it honestly. She just proved that a woman could be as much of a jerk as any man. Hear her roar.

Why one might demur: She wasn’t all bad. She supported the local children’s hospital. She was certainly a pioneer for women in baseball, whatever we might think of the way she went about it. She cared about making the ballpark an attractive and somewhat affordable visit for families; enlightened self-interest perhaps, but still hardly anything but admirable.

Shires, Art “the Great”: 1928-1932, 1b; .291 lifetime, almost as many punches landed as base hits made.

Why I consider him a scoundrel: I just don’t like violent braggarts much. Call it a moral failing–at least, if you’re a fan of violent braggarts and think they’re the soul of Murrica.

Because he was a well-known braggart (for example, he gave himself the sobriquet “the Great), bully, and general loudmouth. He resorted very quickly to violence when aggravated in some way, which is as polite a way I can describe a man with a history of clocking anyone who looked at him sideways. He did some professional boxing, but found out that real boxers were a lot better fighters than reserve utility infielders or fortysomething managers. Later in life he beat a man to death with whom he’d been drinking, but got away with a $25 fine. I’m not sure if “Whataman,” one of Shires’ other nicknames, was given him by the media or himself. It says something that the answer isn’t obvious.

If that weren’t enough, he beat his wife. I grew up around that and swore lifetime and vocal opposition of domestic violence. My wife is a survivor. Choosing my words with some care, every time I read that a victim of DV has retaliated with success, I fail to experience sorrow.

Why one might demur: He wasn’t the only loudmouth of his time. Babe Ruth might have been the loudest loudmouth of his time (though Leo Durocher showed great promise in that area during the Shires period), a profane, fairly gross, and otherwise obnoxious man. Difference might be a) Ruth was by far the better player, and b) Ruth wasn’t the same type or magnitude of bully. If we could know the unknowable, we’d probably find that Shires was compensating for some deep anxiety. He certainly had problems with alcohol.

While I can’t be sure–until very modern times quite a few closeted gay men, which was most of them, married women and lived unhappily ever after with the women as victims of the pain of frustrated reality–I suspect a lot of overcompensation was in play. It’s not proven, but it would explain a lot especially given that Shires never remarried after his wife divorced his abusive ass for good. Evidently no women could be found who were stupid enough to do that, which makes me feel all right that my father-in-law grew up in Art’s home town.

Spalding, Al: player and sometime manager 1866-1878, p/of/if.; .313 lifetime; executive 1882-1892, marketer of sporting goods until his death in 1915.

Why I consider him a scoundrel: Because he promoted history he most likely knew to be bullshit. People who do that are moneylending in the temple and must be scourged forth.

The way that went down, to my understanding, is that Spalding cooked the books from the start. His committee invited letters only from origin testimonial sources who did not mention rounders or cricket, lest the public fully understand that the game originated from English sport. When someone blamed it on MG Abner Doubleday in the late 1830s, that sounded great: not just a Murrican, but a later Murrican Civil War ‘hero.’ (While hero might be pushing it a bit, especially as Doubleday is said to have endowed himself with the title, he was certainly a competent brigadier and divisional commander.)

And Spalding having obtained the baloney he was seeking, he ended the search. Baseball was and had always been the all-American game, solely invented here by Americans, end of discussion. Fucking liar.

Generations fell for it, though in time baseball historians destroyed the fiction. We might add to that all that he did to undermine the idea of a players’ union, helping thus to maintain the thralldom of players at low salaries so that rich owners could get richer.

Why one might demur: Spalding was certainly one of the game’s builders and pioneers. There were far worse people. If you don’t mind people promoting fictional tales as ‘history’ for purely nationalistic reasons, and you’re prone to whataboutism (‘so he was a jerk; what about many of his peers?’), no way would you have him on this list.

Steinbrenner, George: owner 1973-2008; seven World Series titles

Why I consider him a scoundrel:

Because his meddling in the Yankees was a sports story of the 1970s and 1980s exceeded only by Hank Aaron’s quest to hit 715 home runs.

Steinbrenner publicly and personally derided and ridiculed his players and managers, canning the latter with abandon. He used his great personal wealth to buy the best free-agent talent, which is not automatically the act of a scoundrel but certainly isn’t noble to any non-Randroid. He had unrealistic facial hair policies, made illegal campaign contributions to Nixon (whose misdeeds look almost quaint today), feuded with everyone, was twice suspended from baseball, and lied publicly (“I won’t be involved in the day-to-day operations of the club at all.”)

Why one might demur:

Don’t know how much one can really fault him for playing the then-new free-agent game for keeps; he did not make those rules. He certainly wanted to win, and as certainly did so. He supported numerous charitable causes, notably a foundation to help the children of police officers killed in the line of duty. As with most people, he wasn’t entirely evil, and he certainly thought of himself as one of the good guys. He just didn’t have a lot of concurrence in the public eye–and if he’d had a few less open and notorious feuds that sullied his image, might be more kindly remembered.

And let’s face it. Reggie Jackson really was a hot dog, if a highly intelligent and power-hitting hot dog. Billy Martin really was a fractious alcoholic, if a fractious alcoholic with a great baseball mind. Neither held back or ducked, and both had a few whaps coming–they were certainly dishing them out.

von der Ahe, Chris: owner 1882-1898; four league championships, entertainment pioneer

Why I consider him a scoundrel: Ignorant of baseball (as were most in his native Prussia), he made his players march like soldiers and tried to tell them how to play the game.

Chris von der Ahe was a character of the first water. With a heavy German accent, he bought the St. Louis Brown Stockings as a market for his beer. He was Bill Veeck before Veeck’s birth–but with less laughter. One could argue that he made the game somewhat ridiculous by bringing rides and racing to the ballpark; the latter got him in some hot water with the league due to gambling concerns (a good example of using a teaspoon to empty a swimming pool).

He was difficult to impossible to work or manage for. He insisted on doing some of his own managing and compiled a 3-14 record. Once, he threatened to hold back his players’ championship money. He was an alcoholic. He had a statue cast, set up in front of the ballpark–its subject, himself. (The statue was logically relocated to his grave after his death.) He was a living caricature.

Why one might demur: I’m a fan of von der Ahe. His team is still going over a century after his death–they evolved into the modern Cardinals. He thought the ballpark experience should be fun, as Veeck much later did using improved technologies. He had some winning teams. He was the kind of character that made one want to follow baseball and go to games. He lost his entire fortune and died in his early sixties as a simple bartender, so it’s not like he retired and wallowed in luxury for the rest of a long life.

*Ford, you asked for it.

Names and attachments

Been watching old episodes of Jon Taffer’s Bar Rescue with my wife. Sometimes it’s pretty entertaining, and it’s a great way to learn about the bar business by seeing how people foul up what they imagined was a self-driving business vehicle.

If you’ve never seen the show, Taffer is a New Yawka who goes about the country helping failing bars and taverns to succeed. Can’t tell whether his antics are playing the stereotype to TV or his real reactions, because reality TV is unreal, but he can have a shouting match one day and come in calm and cool the next segment/day. He often shows a heart of gold, especially when it comes to establishments failing due to external, unavoidable impacts (death, cancer, hurricane, accidental ownership).

He is direct, vocal, and pretty hard to ignore. Good marketing. Worked on us.

His success rate seems to be about 50%. Considering that (taking claims at face value) nearly all of the bars he saves were about to faceplant and take the invested capital with them, that’s big. That means half the people end up paying off lenders, keeping houses, retaining staff. It’s a worthy social consequence. He’s helping the little guys and gals, who sometimes compete with well-funded chains.

After a couple of seasons, I started seeing analogies to my own field. There are key and major differences, starting with the fact that no one is at physical risk from reading a novel (consuming it might be another story). And one trend I have seen in bar owners is smack down the middle of my own experience:

Names.

Taffer usually alters the bar’s name. The bar owner will so often insist on the fig leaf of originality by going right back to the old name not long after Jon’s off to Tucson or Tallahassee. A world-renowned expert just told them they needed a new name, and they said “Meh.”

Not kidding. Of all places, that’s where they dig foxholes and prepare to die for it.

Want to know what’s hard in my line of work: Telling someone that the name they chose for their novel is ridiculous and counterproductive, but without being so blunt and cruel that one guarantees non-listening.

I have yet to figure out a good way to do that, but I can tell you that I find many book titles poorly considered, and I don’t know why they even chose them. For one thing, you don’t have to christen the thing in final form until printing. If you sell it to a publisher, they’ll probably reserve the right to change it. If you take it through  to publication yourself, you have until you push the buttons to set up the listings, post the blog posts,  create the blurb, and so on. You have months or years to think. Until then, a working title will more than suffice.

All right. What if your editor tells you, tactfully or brutally, that your novel’s name is not well chosen?

If you’re like most writers that’s an instant negative reaction. Rarely have I ever gotten the response: “All right. What do you suggest?” I have come to realize that the naming is so personal that nothing I know to say will crack that connection. It’s almost like an addiction, in which the addict must hit bottom before making a priority of seeking help and confronting the misery in order to get life back.

Not faulting anyone for that, either. I get its deeply human and not always practical nature, so this addiction seems to me something to just let go of once the subject is raised and blown off. Otherwise all it’ll do is alienate my client and then my advice will still be dismissed. “He didn’t believe in my work.” “This is the name it’s had in my mind for twenty years, and that’s that.”

What I’m hearing is: “I have to fight you on one key point or I will have surrendered myself. This is the hill I die on.” And a part of me even gets that. I’m the person who would rather have customer service calls take three times as long to get to a person because I refuse, point blank, to have verbal conversations with robots. That admitted (and I do have a purpose to it), they’re dying on a worthless hill.

It’s worthless because a title that doesn’t make sense doesn’t help to sell the book. That’s fine if it’s a vanity project and the au doesn’t expect to recoup the costs of editing. Nothing against vanity projects; in a way, they are very liberating. That said, it’s my job to render the best guidance I can, and if one has a deep need to fight for some aspect of their writing, that’s one of the bad ones.

If you’re a writer, and your editor is trying to tell you that your title is ill-chosen, hopefully at the very least you give it fair consideration.

Current read: Connie Mack’s First Dynasty, by Lew Freedman

One thing had always puzzled me about the history of baseball: future Hall-of-Famer Connie Mack’s demolition of the Philadelphia Athletics after the 1914 World Series loss to the Boston “Miracle” Braves in four games (thus a sweep). He had such a great team; why on earth? It is usually presented as a mystery (and it certainly mystified me for years), and perhaps a sudden burst of spite after his team collective wet the bed against a weaker but hungrier opponent.

One of my favorite aspects of history is when reading the take of someone who puts events into suitable context. This, combined with a general decline in critical thinking, makes such work even more important. Take anything completely out of context, and it can be spun to mislead–whether by accident or design. This is why Freedman’s book moved me to write.

The book covers the rise of Mack’s Athletics to five fine seasons: four pennants and two World Series wins. That’s no joke. The team had the best infield of its day, numerous Hall of Famers, and mostly good (often great) pitching. And after the 1914 season, Mack sold, released, or otherwise got rid of almost the whole team. Who the hell does this, and why?

I’m sure that this is all well recognized by deeper baseball historians than myself, but for me it was a revelation. Several factors played in; as usual with history, the truth is messier than a simplistic notion but is much more entertaining. What was happening:

  • Spite. Yes, there was some of that. Mack felt many of his players were complacent, and flirting with the rival Federal League and its bankrolls felt to him like betrayal. He had considered most of his players like sons, as would be his way for the rest of his career, so much so that when the outgoing Bobo Newsom showed up in Philly to play for Mack in the 1940s, he greeted him with “Hiya, Connie!” Six young and grim A’s confronted Newsom in short order. “We call him Mr. Mack, see?” To a degree, yes, hurt feelings were a part of the process. They were not the only part.
  • Federal League. The Feds began recognized play in 1914, and plenty of players jumped at the big money. This seems to happen when rival leagues form, and Mack wasn’t a big spender on salaries. His two best pitchers, Albert Bender and Eddie Plank, seemed near the end of the line. How much of his team would jump? Mack didn’t plan to wait around and find out. This was perhaps the greatest logical reason to do before he was done to.
  • War. WWI had already broken out in Europe, a major distraction that wouldn’t involve the United States for three years but was likely to be disruptive. As it was; future Hall of Famers Christy Mathewson and Grover Cleveland Alexander were physically and psychologically impaired by the war for the rest of their lives–in the case of Mathewson, a short one. The uncertainty of the times had to play a role.
  • Confidence. Mack stayed in baseball for so long that he is often remembered as an ancient and not very successful manager in the 1940s and early 1950s, still waving players into position with a scorecard. He was much younger in the 1910s, and had built a winner. He felt, with good cause, that he could do so again. And he did, though it took longer than he’d expected.
  • Shibe Park. What would become a storied big league ballpark didn’t have as much seating as would have been ideal, which (in combination with fickle fandom and surprisingly weak attendance) meant that Mack couldn’t outbid the Feds. Whatever else one says about Mack, he was neither stupid nor innumerate. Rather than lose bidding wars, he declined to fight them.

I find Freedman’s reasoning thoughtful and persuasive. Mack evidently looked at the overall situation, decided that it was either act or be acted upon, and made some tough decisions. The result was the 1915 Athletics, with a 43-109 finish as one of the lousiest teams in baseball history. The Mackmen didn’t win another pennant until 1929. They hit .237 (awful) and only one pitcher won in double digits, Weldon Wyckoff–while losing 22.

What might have happened had Mack stood pat? The 1915 team would have been better (then again, it could hardly have been worse). It is reasonable to think that enough of the old guard would have stayed and performed well that they could have brought the team out of the cellar, if not into the pennant race. It would have held up the youth movement, but not disastrously so. And while the Federal League fell apart after the 1915 season, Mack had no way of anticipating that in late 1914.

History must remember that the people of the times did not generally have foreknowledge. They could guess, predict, conjecture, analyze, and sometimes do a fair job of figuring out what was coming down from third base. In 1986, few people knew that the Soviet Union’s days as a going concern would end within five years. It’s easy to second-guess, but more difficult to see the world through the eyes of the day. I believe that this is key to understanding Mack’s personnel divestiture. He was the guy in charge, he read the tea leaves, felt his feelings, and did what he thought would lead to a rebuilt winner. Which he would, but without a single player from the 1915 season and only one of his former stalwarts from the dynasty: the unforgettable Eddie Collins, playing a bit part at 42 and mostly a coach.

Now it makes more sense to me.

Editorial maverick: my quick bullets of advice for writers

And not much else. If you want to write, you so signify by writing. Here:

  • Decide on your genre (including a synthesis of genres) and write it on paper where you can see it.
  • There is no such thing as writer’s block. Refuse to give this invented malady power over you.
  • Write every day, something, anything. If need be, write about how you’d rather be doing anything else that day.
  • Never self-edit as you go. Use the comment feature to mark areas for later review.
  • Your biggest enemy is fear of writing garbage. Write anyway.
  • Use good peripherals: quality mouse, large screen, comfortable keyboard.
  • Start your marketing plan, unless it’s a vanity project.
  • Read Stephen King’s On Writing, and learn.
  • Don’t show it to anyone until you’re done. No, not even her.
  • Consider honing your craft by starting with short stories.
  • Back your work up and save frequently, using new filenames.
  • Learn the different editing modes, so that you know more about editing than at least half the “editors” out there.
  • “Write what you know” means to incorporate your knowledge into what you write.
  • When you don’t want to write, admit that to yourself.
  • Never book-format as you write. First finalize the content, then do the pretty stuff.
  • On a first draft, never stress over grammar or spelling. Create. Keep creating.
  • Use change tracking when you revisit the completed ms.
  • Your Faulknerian “darlings” are the things you think are your best quips ever. You’re probably going to be the only believer in those.
  • Read great writers in your genre; learn from them.

 

Editorial Maverick: Who are my examples?

One of the best ways to teach involves good and bad examples. In many cases it’s easiest just to show the client someone who does it better than I do, or at least as well, and recommend they learn from it. Why not share that list?

Tightening: C.J. Cherryh’s fantasy and science fiction, and it’s not  even close. I often say that you could string a bow with her writing. If you are looking to see how someone gets away with the minimum words while presenting great narrative and dialogue, she’s your draft pick. Another author who doesn’t waste words is Tim Cahill (also mentioned below), whose laconic Sconnie style is that of a trained but taciturn journalist.

Dialogue: The art of dialogue takes time to acquire. There is a fine art to the correct density of dialogue tags (“he said”, etc.), how to present emphasis, and so on. The one that stands out to me is the early and middle work by W.E.B. Griffin, before his son’s name went onto the cover (and definitely before post-Junior’s hired pens were hired). You could always tell who was talking, and there were just enough adverbs in the tags (as in not many).

The Moment: If you read much fiction, and even some non-fiction, you have observed that some authors show a powerful sense of the key moment. Most very good storytellers must be cognizant of it, but a few do it with deft gravitas. My money there is on Frank Herbert in his Dune books (not the ones after his death, most of which I strongly suspect were written by ‘lancers).

Third Person Limited Point of View: For those not familiar, this means that the storyteller is inside the protag’s head but doesn’t assume the protag’s identity (which would shift it to first person: to “I” from the 3P “s/he.” All perspective colors our fiction with a basic approach; for example, the most common for first novels is semi-autobiographical 1P, probably because that’s suited to the skill level of most novice novelists. (That sounds waspish, but is not so intended. Let’s be real: there are novices in all fields, and they find certain paths easiest. Thus here.) In any case, my favorite example for 3PL is C.S. Forester, especially the majestic Hornblower novels. A deep dive into a man’s insecurities, disappointments, triumphs, and tragedies, the bohicas and terrors and even joys of military/naval life.

Mastery of English: Winston Churchill, and it’s not even close. Churchill is what I read when I need to be reminded what I am unlikely ever to be. William Manchester (including two of his three volumes about Churchill) is another candidate in a different English dialect.

Urban Paranormal: I admit that I am pretty much over this genre, but keeping an open mind. It’s not that I fundamentally hate it, but rather that it is so often so very badly done. Miniature dragons as part of huge elfy/vampy/wolfy spell battles on the San Francisco waterfront, and the next morning the city wakes up to business as usual? No. One thing I believe is that every fiction author gets one cheat: one step they don’t need to account for or fully explain, one leap of faith. To use that one on the notion that the rest of the world would just keep calm and carry on after zombies came pouring through town–that is not good. Some–and they know who they are–are so fetishistic they have to keep ratcheting up the monstrosity, like a bondage addict who must up-kink in order to keep feeling the thrill. The one who seems at least respectably tethered to the rest of reality is Patricia Briggs with the Mercy Thompson series.

Travel: This is my favorite besides history, so I’m fussy here. For a laconic outlook that reflects his Wisconsin upbringing, anything by Tim Cahill. He has the gift of being funny without appearing to try. For unconventional ways to write about nearly everything, William Least Heat-Moon. One gets the sense that Heat-Moon is simply a deeper and more patient observer than the average person.

Biography: You might not have heard of her, but Fawn Brodie flat killed it. Just five: Joseph Smith, Thaddeus Stevens, Thomas Jefferson, Sir Richard Burton, and (the only one I have yet to read) Richard Nixon. Brodie is that sort of biographer that helps one feel a deeper understanding of the subject’s times, not simply the life.

There’s also a long list of popular authors I consider inept, even unreadable. I’m not going to write a blog post about them because I can’t. Most of you can, but I cannot. I’m in the industry, albeit one of its tiniest lights, and there’s a non-zero chance I could run into someone. Some people have long memories, and I don’t have a need to go out of my way to put myself on the bad side of those long memories for zero benefit. The standards have dropped, and as some of them age, time is unkind to their skillsets.

Anyway, I might not write about that in a concentrated form, but you perhaps have ideas. If you’d like to discuss Popular Writers I Think Are Lousy in the comments, I’m not going to interfere unless it gets out of hand.

New release: The Girl in the Rusted Cage, by Mindi Boston

This women’s fiction novel is recently out. I was line editor, plus a bit more.

Mindi came my way thanks to a kind referral from author Mike Hancock, a fellow traveler from the Epinions days circa 2000. She reached out to me on the Facebook page, told me about her project, and asked whether I’d be interested.

I was. It’s a fictional tale of a pregnant teenage girl failed by nearly every support system that was supposed to step up for her. I don’t know how it feels to be pregnant, but I know how it feels when all the support systems abandon you. Mindi explained that the ms had been years in the making, was still too long even after tearing through it with ruthless trimming, and that she was exhausted. I also know how that feels. Due to the exhaustion, she wasn’t up for developmental editing with a major revisit to the ms. She wanted a line edit (tone, style, consistency), which would be one of the customary options at this point. I agreed to read it and give her my impressions.

There was something of a battler’s spirit about Mindi, that type of person who has dealt with significant adversity (in her case, single motherhood and major health issues; more than enough to know what she was talking about with regard to her fictional protag) but who remains sharp and feisty and a little bit brassy. I knew she would stand her ground on what was important to her, and that was fair. I hoped she would be open to persuasion as to a course of action, and that hope was justified. The ms was in rather good shape, and a line edit was a good solution, but I saw a few areas where some latitude might enable me to make things better.

One of my basic editing philosophies is that we should tailor our approaches to the client’s actual needs, rather than live by slavish conformity to the various editing modes. I view those the way the military views regulations, at least at upper levels: They are for the guidance of the commander, not as shackles. There are times and places to go afield from them. Same with editing, so I suggested to Mindi that we do a line edit with latitude. This would be short of a substantive edit by some distance, but would enable me to fix some flaws that might exceed the purview of line editing.  Mindi’s one of those wonderful clients who doesn’t overcontrol, which is sensible because she could still have rejected any or all of my edits. It’s great to work with someone who will allow you to give all the help you wish.

Her basic writing, dialogue, and timing were quite good compared to most first-time novelists, no doubt reflecting a background in journalism. There was some overuse of similes, and I did a lot with phrase order within sentences. Take that last phrase and adjust the order: I did a lot within sentences with phrase order. You can see why that would suck, which is why I wrote the original in the phrase order shown. For one thing, the within then with looks bad; with then within flows better. For another, since the first prepositional phrase would tend to be the more pertinent here, we’d rather tell them we did it with phrase order rather than that we did it within sentences. All the latter says is that we didn’t swap them around between sentences, which is kind of assumed but not bad to clarify. As I reflect, I could probably have yanked ‘within sentences’ altogether.

If you ever wanted to know how line editing feels, imagine over 100,000 words of such considerations, one by one.

Anyway, I worked my way through the story. Mindi’s vivid descriptive talents were a joy, and she rarely overdid them much. A few redundancies, popped in a few segment breaks within chapters and combined some others, otherwise tried my best to bring her novel nearer its potential.

Mindi and I both went through some life turbulence during the process. I started doing more tech editing, and was dealing with back, wrist, and neck pain issues; I ultimately had to have a mass removed from my spinal cord. Her basement flooded. I worked on it in grabbed hours here and there, half hours sometimes, trying to stay within the budget range.

She wanted to try her best at the trad-pub route, and I supported this while advising her that there were a lot of reasons many writers have stopped bothering adding their mss to the infamous slush piles. After investing a great deal of time and effort in a valiant attempt, she went the self-publishing route. I maintain that we learn a lot about our projects by trying to market them and seeing what happens, and I think the experience will help Mindi be her own marketer.

At the last moment, she decided on a major change. We worked through that, and now it’s time. I believe that this will be inspirational to everyone who has experienced, or cares about someone who has experienced domestic violence. I grew up with it and felt the authenticity in every word–and I’ve never even been pregnant. Well recommended.

Editorial Maverick: an interview with author Vanessa MacLellan

Today I’ve got something fun for you.  Vanessa is a past SF con acquaintance of mine and we hit it off well enough to stay in touch. She has a new book just out titled Reluctant Hero that touches on some new themes for her; suggest you check it out. It’s kind of funny we did this via FB messaging (live, not canned), even though by a weird quirk of life, we only live at most a few miles apart. I think you’ll enjoy her candor and forthcomingness, if that is a word. Without further ado:

The Editorial Maverick: Vanessa, welcome to the blog!

Vanessa MacLellan: Thank you! I’m happy to be here, J.K.

TEM: You’re a successful indie author. This means that all indie authors who want to be successful should pay careful attention to what you choose to share. First, though, could you please give us the basics: where’d you grow up, anything remarkable about it, and up through college?

Vanessa: Sure. I come from Moses Lake, WA, in the heart of the state in the desert. I grew up in the Middle of Nowhere and so I often had to just play with my imagination rather than other kids.

I went to college at WSU for civil engineering, but I’d always been telling stories, writing poetry, and generally doing imaginary things. In college I played my first roleplaying games as well, and that opened up a whole new world. This was in the early years of White Wolf (a gaming franchise) and I adored it. Once I found a place in Vancouver, WA (for the real job) I immediately looked for other gamers.

TEM: Eastern Washington RPG nerds representing all in here. Do you find that your major helped with or influenced your later writing work?

Vanessa: In a way. I’m very analytical as an engineer, so I think I approach writing with more of that kind of studious planning versus just making things up as I go. I like numbers and formula and things that make sense. Even though I write fantasy and other speculative fiction, I still am pretty grounded about it and like it all to have form and follow a logical system. But as for real engineering, I don’t really put that in my books. Maybe I should!

TEM: It’s ‘what you know.’ So what were you doing in life before you decided you wanted to author fiction novels?

Vanessa: Well, I guess that whole ‘deciding I wanted to author fiction novels’ wasn’t really a solid line in the sand. I’d started writing very bad stories as a child and then in junior high I moved on to poetry… angst-ridden, and once I was an adult (and a gamer) I wrote stories for my early gaming characters and fanfiction for stories I wanted to see more of. I didn’t really decide to write my own stuff until NaNoWriMo of 2004 where I wrote my first environmental fantasy, to which I recently returned and got stuck again. So, I guess it was 2004 and finding out about NaNo that got me realizing…I can do this! And I did. And I’ve done it again and again (writing rough drafts, anyway).

TEM: And at roughly what age, if I may be so bold, did you decide to go that way?

Vanessa: 2004, I was 30. That was 20 years ago, if you want to do the math.

TEM: Heh, not my forte. Please share the thought process that went into your first book’s topic and story creation.

Vanessa: My first book was Three Great Lies, published by Hadley Rille Books in 2015. It’s a portal fantasy where a modern woman falls through a tomb into ancient mythological Egypt. My love for Egypt and Egyptian mythology totally took over that book. I don’t even know if there was much thought, it was more, I studied mythology for so long, I wanted to include it in a book. The portal aspect of it came from recently reading Stardust (I think that’s the name) by Neil Gaiman, and I was just delighted about going into a magical world.

Those types of stories are not new at all, but the timing just hooked me and so I decided a modern woman in mythic Egypt was what I was going to do. And I did it. And it took a while to edit it all because it was the first book I really finished and polished up and it was utter joy to have Hadley Rille pick it up.

TEM: A lot of first-time novelists would commit low crimes to have that moment. Now we’d like to hear how it felt. You were not then established. Were you confident? Nervous?

Vanessa: Hahaha…I was completely bowled over! I wrote this book and somebody wanted to publish it! Holy smokes. That’s like the holy grail. And I worked closely with the editor and he just loved it and supported it so much, I was very lucky. I would say I was super nervous, because what if nobody else liked it? I was also very happy and just inflated with all of this goodness. It’s hard to explain, but it uplifted me quite a bit. I love writing and here I was validated, if you know what I mean.

TEM: I do. You tried the trad-pub route before self-publishing. This is very interesting because so many of my clients wrestle with trad-pub vs. self-pub. Please tell us all you can about that change, the decision, and what it was like.

Vanessa: I mainly decided to go self-publishing because of the experience with my second book.

My second book is also mythology-heavy but it’s different, it’s dark fantasy versus portal fantasy. Hadley Rille told me if I wrote a similar book to the one they published, they would be interested, but this second book, Awaken, didn’t fit their bill. So, I wrote it and I shopped it out to agents and other small presses. Long story short, one press requested a full exclusively and had it for a YEAR, and rejected it, then the second had it for another year and rejected it. That was TWO YEARS gone just waiting for someone to make a decision. Ugh. I didn’t want to deal with that again.

Part of me would like the validation of an agent and traditional publishing, but the other part of me is 50!…and I don’t have years to waste because I have too many ideas in me.

TEM: You have a new book just out! Can you tell us about the inspiration behind Reluctant Hero? How did the idea for the story come to you?

Vanessa: Yes, I’m very excited about my third book coming out. It’s sci-fi superhero and the idea came from all my years of roleplaying games. (waving my geek flag) I love superheroes and enjoy a good superhero read and decided: I wanted to do that too! Many of my characters in the book are based on roleplaying game characters from my decades of gaming (see, I’m still writing gaming fanfiction).

So, I decided to make these RPG characters into characters for my book, but I had to decide where the superpowers came from. That was a lot of fun. I pondered it for a long time because I didn’t want it to be too similar to other mega-superhero franchises and I think it’s somewhat unique (though who knows, I haven’t read every book out there!) but I know my characters are unique. As for the story…the plot…it stemmed from where the powers came from. Someone put the Seed in the Seeded…why? How? To what purpose? That’s where the story evolved and I’m very happy with how it came out.

TEM: I was an RPG gamer myself for decades, so I completely get how your characters originated from roleplaying games. What are your favorite RPGs?

Vanessa: I love that! Did you ever insert a character or two into your story?

TEM: I gave some thought to novelizing one of my favorite characters, but it opened up a can of IP worms. Plus, truth told, I never much had a passion to write my own fiction. My first paid writing was non-fiction. Honestly, I’m more comfortable helping other people with their books than writing my own. But let’s get back to your RPGing.

Vanessa: I played White Wolf’s Vampire and Changeling for years, as well as D&D (earlier editions, and Third Edition, as well as Pathfinder). I think I liked WW the best, because it really was more of an unfolding story versus stats. Stats and dice rolling are important, but it felt like a more natural telling of tales. I enjoyed storytelling for other gamers and just kinda making stuff up, as well as plotting bigger stories. When the players go left field, you have to be ready for it!

TEM: Nekoka, the protagonist of Reluctant Hero, is a unique and compelling character. She’s the reluctant hero from the title, she’s a hedonist, and self-centered. What challenges and joys did you face while writing her story?

Vanessa: Nekoka doesn’t want to be a hero. She has dear friends that say ‘we have power, we should use it to help people’ and she disagrees. Just because you CAN do something, doesn’t mean you MUST do something. I know that’s not super popular in heroic fiction but it was where Nekoka needed to start. I think making the natural arc of her being ‘oh, no way’ to any kind of duty, to having her jump in both feet to be heroic was my biggest challenge. The progression needed to be believable and natural and I think she evolved nicely in the end.

TEM: Reluctant Hero blends elements of fantasy, science fiction, and superhero genres. How did you manage to weave these genres together so seamlessly?

Vanessa: At first, I was thinking I couldn’t mix them. I know people do it all the time and it’s been done for ages (I’m reading Silverberg right now which has magic and aliens and the like), but my engineering brain wanted to keep them separate. But I think, especially in the superhero genre, the lines are blurred. I can argue that the power is from a scientific source, but in such an alien situation, when does it become magic? So, in a way, they all just wove together naturally, on their own, as the characters used their powers using the rules I defined.

TEM: And now here you are in the Portland, Oregon burbs, just like me. The setting of Portland adds a rich backdrop to your story. Why did you choose this location, and how does it influence the narrative?

Vanessa: Howdy neighbor! Portland is such a dynamic city that I felt it would be a perfect place for my story. Though my story is in the future, it’s still very Portland. There are the wonderfully accepting open arms of Portland, as well as the not-so-shiny parts of it that we’re struggling with as a city. Two of my main characters are homeless, each giving a different perspective on that situation, and I bring in the fact that welcoming Portland LOVES the Seeded (the superpowered people) while other cities don’t accept them. Plus, it was a lot of fun to include sites I know and visit. One such site, the Firehouse, has since been torn down and it just shows how evolving and changing this city is, and you can’t nail it down.

TEM: I have certainly noticed that in nine years here. What do you hope readers will take away from Reluctant Hero? Are there any particular themes or messages you want to convey?

Vanessa: Oh yes. So, it’s a thing of mine…the whole found family and dedication to friends. It’s a thing! I can’t help it. Nekoka will do anything for her friends and even when she needs a break, she will always be there for them, and they for her. That kind of dedication, of love and loyalty, is my bread and butter and I love it. So, I just want readers to see how much she means to people and how much people mean to her and family can be found in all different places.

TEM: Being employed full time, how do you find time to write?

Vanessa: Ugh. It’s harder and harder. I have the full-time engineering day job and I write when I can. I fully believe in the writing tip of ‘write every day’ and I did that when I was younger. I got up at 5 am to write before work. I did this for years! And now, I can’t seem to write every day. Some days I just want to come home and drink a whiskey and read a good book. So, I carve out time when I can, but it isn’t every day. Retirement, I’m dreaming of you!:) But seriously, you just have to make the time. There is no ‘wait for the mood to strike.’ Now, I just need to listen to myself.

Pep talks. I’ll make it with daily pep talk.

TEM: This has been great, and it was kind of you to take the time on a busy weeknight. Thank you, Vanessa, and best of success with Reluctant Hero and all your endeavors, writing and otherwise.

Vanessa: Thank you, J.K. This was a lot of fun and it got me thinking of my books in an excited light! I’ll get back on the wagon! Cheers to you and all of yours.