Grand Theft Auto games

Yeah, they are totally anti-social.  Even if you don’t do half the awful things you could do, the bottom line is you’re still playing a complete thug.  Why would anyone enjoy this? I ask the same question about some types of movies, so one ought to be able to answer the question oneself.  My answers:

  1. Part of playing a game is to be something you are not, in real life. Driving like a maniac and aggroing the police is not my normal day. My normal day involves editing people’s writing, or thinking of ways to market my editing of people’s writing.
  2. The radio soundtracks alone are hilarious, especially the talk radio parodies.
  3. You do accomplish a lot of things that don’t have to be destructive, such as races, stunt jumps, ambulance driving, taxi driving and firefighting.
  4. It blows off a little of life’s steam in a safe environment.

Yeah, it would probably be more holistic and cosmopolitan of me to start a botanical herb garden, or serve biscuits and gravy at a shelter, or go do yoga.  But since I won’t, there’s always this.

It’s only a fish wound!

Well, not a bad one.  How do you get cut open by a fish on land? Well, suppose you are bumbling through your local antique store, and they have just set down a big swordfish (heavy sucker, like 5′ long).  Not being real bright people, they put the fish diagonally, so that the tail fins stuck right out into a walkway.  Unfortunately, they didn’t contrast much visually with the linoleum.  Thunk.  While I’m not the type to run around blaming other people or institutions for my poor navigation, it probably wasn’t their smartest move to put that there, either.  I mean, you wouldn’t put a pitchfork down there with the tines sticking out into the walkway.

I was surprised how sharp the fish tail’s tip was; went right through my skin along the top of the kneecap.  The woman operating the place showed zero concern, even when I said “I guess there isn’t much blood.”  That told me she wasn’t the sharpest business tool in the shed.  She did offer me some coffee.  Did I retort:  “Why, is coffee good to put on a bleeding gash?” No, I did not.

The post’s title, of course, was that quick comeback that we think of later, the one we never think of at the time. At least I don’t.

One reason I like editing is because I always have time to think of what to suggest someone should say.

software updates

Have you noticed, folks, that when you just automatically go ahead and update a piece of software to a newer version:

  1. They moved everything around, apparently for no logical reason other than it looked cuter?
  2. They added maybe one thing you cared about, and twenty you didn’t care about?
  3. The things you liked most about it before, now no longer work the same?
  4. It’s slower and clunkier?

The problem is endemic to software and has been with us for a long time.  I think it must have its roots in the way software designers think, because it is very consistent.  Most ‘upgrades’ are in fact downgrades.  And these days, it seems, that most of them lean toward letting more and more companies poke around on your machine, with nothing preventing them from phoning home with information that is none of their business.

It gets worse if you depend on software to enable you to work. What if it introduces complications in the middle of a huge editing project? “Dear Ms. Client. Sorry I am going to be late. I upgraded my software and now my life sucks.” Yeah, they’re real understanding about that.

There are a few updates that nearly always make sense, namely those to do with security.  If your Windows wants to download a security update, you should.  If your virus scanner wants to update itself, by all means.  If you use a spyware/malware package, definitely keep it current.  But anything else? Faaaaaa.  Just don’t update it until they force you at bayonet point, or give you some compelling reason in terms of features.

Ignore the constant pleas and pressure.  You’ll be happier.

Trolling Craigslist for work

This is what ‘lancers do, troll around for assignments.  But how to winnow out all the crap from the legitimate opportunities? The former outnumbers the latter.

First, you can throw away anything where they don’t even give you a hint of what they want you to write, nor who for.  They aren’t professional.  The less they tell you, and the more hype, the more likely it’s spam.  For example:

Do you love writing???
Do you love making money???
Then this is the opportunity for you!
Internet companies are looking for fresh, new writers to create original content for their websites, blogs, and newsletters. The more articles you write, the more money you earn.
Write about almost and topic or subject you want. Write from the office, from home, or wherever…

This is obviously crap.  No specifics, no idea who it’s for.  Just ignore these.

If you are willing/desperate enough to write search engine optimized stuff, a lot of online writing leads there.  SEO essentially means marketing writing, which is probably the largest market out there for online writing.  What you are doing is writing something, but you are following some rules to work in the right keywords.  This will help the article float to the top of Google (and the other 15 search engines no one uses).  Companies get a big wood when their marketing floats to the top of Google.  If you are at all a competent writer and present yourself well, you can probably find SEO work (if you learn what it is and how it works).

Is there anything wrong with the literary prostitution of SEO? You’re asking me, the literary mercenary? The only things I won’t write for money are those which I a) am too incompetent at to even understand much less write, b) find too morally disgusting even for my rather unconventional moral code, or c) don’t get paid enough.  Most of what I turn down, that’s the reason.  The work sounds fine, but $3 an hour doesn’t cut it.  A lot of opportunity out there is designed to attract those desperate for exposure, which I am not.  I like to work with professionals who have high standards and clear expectations, with reasonable compensation for quality work promptly done.

However, I confess I got my start writing marketing stuff.

I don’t believe in ‘writer’s block’

Honestly.  I do not believe in it, and I believe giving it a name makes it a bugaboo, like a syndrome or disorder that comes to be the attribution for counterproductive behaviors.  “Why I can’t I write? Augh!  I have ‘writer’s block!'”

If you truly want to write, you will.  About something, anything.  Why am I currently writing this blog entry? Because I want to write.  When I am not writing, it’s because I am doing something I want or need to do other than writing.  Might be mowing the yard, might be playing Alpha Centauri, might be watching Looney Tunes DVDs, might be making something to eat.  Right now I want to write, and I’m doing so.

“But what do you do when you sit down to write and nothing comes?” I so often hear.  Well, here’s the usual dialogue:

“Here’s what I do.  I go to my filing cabinet.”

“Your filing cabinet? Is that where you keep your file of ideas?”

“No, it’s where I keep my file copies of contracts.  I pull out the most recent one and skip down to the part where the para begins ‘You will write…’  I read that paragraph carefully, as it delineates what I agreed to do.  Then I skip down to the paragraph that says ‘You will be compensated…’  I take careful note of the parts that point out, in short, that if I don’t do my work I won’t get paid, and if it sucks, I also won’t get paid.”

“And how the hell does that help you feel inspired to write?”

“It doesn’t help me feel inspired.  Inspiration is for creating art, and my writing is my job, not my art.  It does help me feel motivated.  As in, ‘you better sit your butt down there and get it done.’  I rarely even need this, because I like to write.  Nearly all the time when I have work to do, I like it and want to do it.  And when I don’t, tough; it’s a job.  I accepted it.  Time to knock it out, get ‘er done.”

“Okay, fine, but I’m working on my science fiction novel and I don’t have any contract at all to read, and I’m not getting paid any time soon.  I’m stuck!  How do I get unstuck?”

This part is hard.  “If you can’t figure out where to take your story, you need to do some thinking.  But if you know where you want it to go, and can’t put it on paper, then you don’t want to write badly enough right then.  If you did, you’d just start writing whatever part of it you thought of first, and fix it later.”

“Uh…but….” They taper off into silence.  I just dropped a bomb.  I said the thing you can’t say.  I may just have blown their supposed ‘writer’s block’ to gravel (I was certainly trying my level best), but it’ll take time to process that.  I just challenged their basic desire to write, the unchallengeable.  They look at me like I’m the kind of cold S.O.B. that just isn’t supposed to exist in the “Oh, for a muse…” world of Writer’s Digest.  Well, yeah.  I’m a freelancer, a literary mercenary.  If you want feelgood advice that will reinforce all your existing perceptions, I’m the worst person to ask.  However, I don’t get jollies from the fact of jolting eager psyches, so I soften it…

“It’s true.  If you think about it, you aren’t sure where to start with what you want to say, and you don’t want to redo it all later.  Sorry, more bad news:  you will anyway, so just embrace that.  Start with something, anything, even if you have to throw 90% of it away later.  Any writing at all is progress, and not writing is zero progress.  If you clearly understood and absorbed this, you will now desire to go immediately to your computer and begin banging keys.”

“(various confused and noncommittal responses)”

Now, none of this bothers me.  I’m used to it, it’s part of what I do, like a hardware store owner being asked by his brother-in-law about caulking.  Only two things bother me:

  • Arguing with me, trying to tell me how wrong I am.  Maybe I am, but you aren’t paying me for this advice, so if you don’t like it, or find it an annoyance, debating me is useless to you.  You gain nothing except that you can be sure that you’ll never have to worry about getting free advice from me again.  Do I mind healthy disagreement? Not at all–but something I am doing is working, so what I say can’t be too totally incredible.  And if what someone is doing is not working, then where is the knowledge basis for debating me? This blog began purely because my favorite author gave me some stern, kind, wise advice:  “You must start a blog.  People who like your writing want more of it, often, and you need to learn to think in terms of giving it to them.  They want to know the mundane stuff you can’t imagine anyone would care about.  You must have your own domain.  You must learn to present yourself in your profession.”  Did I argue with her? Hell’s bells, no.  I went and did it, within two days.
  • Ignoring what I said, and continuing to seek approval for the dysfunctional methods they’re currently using.  If you wanted to know, why did you just ignore everything I said? Surely you can understand that if I think you’re doing it wrong, I gain no happiness from having to break that to you.  It’s a service.  Freely given, but please think of what it’s like to be simply ignored and have the same thing thrown back at you.  It feels ineffectual for me.  It makes me want to stop.  I don’t fundamentally want to stop.  I like to help people.  I hope what I say will help them write more productively and happily.  If I’m not perceived as an authority, why ever ask me?

This has wandered afield from the topic a bit, I acknowledge, but it does all pertain (if tangentially) to the busting of this mythical ‘writer’s block.’  If you stopped believing in the concept, and started writing–something–anything–even a piece on abuse of the em dash, like someone on Salon recently did–the concept would go away.  Bang out 300 words about how frustrated you are.  Describe your beer can opener.  Rhapsodize about five hairs on your arm.  Write a scathing rebuttal to this, telling me I’m full of baloney.  You will be writing.  That’s the idea, is it not?

Writers want to write.  Non-writers want to talk about how cool it would be to write, or why they can’t write.

And if writers know they should blog, and have no idea at all what to write about some night, you can see what happens.

Whitewater rafting

I haven’t done this in so long, but a WWR trip is one of my presents to my bride for her 50th birthday (at which time, in April, it was a little cold for that most places).  We’re going to take along a couple of dear friends.

Currently we’re deciding between the Methow (north central WA), the Deschutes (central OR) and someplace else.  If anyone has any recommendations within 4-5 hours of Tri-Cities, WA, by all means please advise.

Medieval mentalities

When you think of the Middle Ages, you think of a wholelottaignorant, right? Loopy folk beliefs, slavish acceptance of draconian religious programming, a profound lack of empathy for most other people (especially those different from one), squalor fairly easily alleviated but not being a priority.

Although I must say that at the recent Society for Creative Anachronism event my friends Rebekah and Forrest took me to, they seem to have left out all of the above.  Anyway, consider this dominant reality before you judge your medieval ancestor’s mindset with too much disdain:

They knew nothing was going to get better.

I was walking through my house today, thinking about the stiff knee that results from (what I believe to be) botched cartilage surgery.  Avascular knee cartilage will not regrow, of course.  That which was removed no longer acts as a pad for the weight of my thigh and upper body.  What remains, taking more stress, will deteriorate further.  My knee will never be the same again, and all because for once I finally attempted to evade a pitch rather than let it hit me.  And I thought, well, maybe they’ll invent artificial knee cartilage by the time I need it.

“Maybe by the time I get that old, there’ll be something better.”  The exact form of hope that peasant LeBlanc, tilling his fields in medieval Anjou, did not have.  Could never have–not if sane.  What reason had he to imagine his sore knee would be ameliorated by a new invention? He had never seen a new invention.  He had seen new proclamations from the clergy, the nobility, the merchants.  In nearly every case they were bad news for him:  you are going to hell, you must produce more grain, you must pay more interest.  Unless you imagine that anyone ever told him:  “You get to go to heaven, you are allowed to produce less crops for me now, and we’ll lend to you without charging interest this time.”

His knee hurt, it would continue to hurt, and nothing would be invented to fix it.

My knee hurts, and not only do I hope something will be invented for it, I am not insane to imagine that it may be.  As a child, games were things played on a board with tokens and dice and spinners.  Today’s child (who when I was his or her age, I marveled at Pong) plays a realistic and immersive game of army combat.  With Koreans.  Who are currently in Korea, not in his living room.  Also an Australian guy and some gal from Norway. When I was in college, I wrote my papers on an electric typewriter. Now I edit people’s writing on a computer with software that allows me to track my changes and leave margin comments.

I saw this change.  It is more scientific to tell myself things are possible than impossible, all considered.

You probably feel the same way too, especially if you are in your forties and hoping they’ll fix all the elderly ailments before you get them.  (They intercepted polio at the pass, did they not?)

Now imagine your life, your entire life, with no such rational hope.

Saving the snakes with Uncle Mike

Some years back, I was out on Peyton Creek (Flint Hills, Chase County, KS) getting ready to help my Uncle Mike work the vineyard.  It is long tradition for nephews visiting close relatives to be included in all activities, particularly labor.  (Our nephew JD, currently living with us, may harbor misgivings about this hallowed tradition.)  Anyway, you read correctly:  a vineyard in Kansas.  Uncle Mike and Aunt Jaque worked several acres of them for years, along with a friend who came up from Wichita, and got pretty good results considering the myriad dangers and caprices of Kansas agriculture.

The ranch is very traditional.  Nothing’s name ever changes.  The carriage-room, which is now a second TV room, is still called the carriage-room, and the saddles and tack still hang there.  The granary has not stored grain for, gods, it must be over half a century.  Maybe more.  Never mind; the granary it is and remains.  The feel of tradition is as delicious as range-fed Kansas beef, or the apple pies my great-grandmother used to make, nearly blind, in the same kitchen she had used for some 75 years.  And one of our traditions is that we don’t kill something unless we need to.  There is a reason the ranch has diverse wildlife, its own spirit:  if we can, we let it live.

So, the nephew was underneath the tractor attempting some mechanical task as requested by Uncle Mike, futzing with tractor doodads he did not understand, out in front of the granary (now used mainly to store stuff, such as nylon netting once used to try and shield grape vines from avian predation).  I heard Uncle Mike call out to me from the granary:  “John?”

“Yeah, Mike?” Only when I had nephews of my own did it occur to me that my uncle would always enjoy being called by the title of honor, ‘Uncle.’  Wish I’d figured that out a lot sooner.

He asked the magic question.  “How are you with snakes?”

“Pretty good, Mike.  Why do you ask?”

“Well, in that case, come on in here.”

So I rolled out from under the futile futz-fest, got up, and headed in.  Whatever it was, it was going to be interesting.  “Take a look over there,” said my uncle.  There were two very large kingsnakes, both in a bad way.  You know how fish get caught in nets, hooked by their gills and fins? Thus with snakes’ scales.  Both were snarled up in the nylon netting, beyond extricating themselves.  They’d lost a few scales struggling, though not much blood, and we could see that both were constricted where the netting hung them up worst.  Most likely they were dehydrated.  It was a warm spring afternoon, and one doubts they’d have made it through another day, weakened by a desperate struggle for liberty.

The thought of harming them, of course, didn’t cross our minds.  Not only are kingsnakes non-poisonous, they consume great quantities of varmints.  You’d no more kill an owl than a kingsnake.  They’re our friends.  Of course, they can bite if threatened, but like nearly all snakes, they just hope you’ll leave them alone so they can go consume some more varmints.  We hope they’ll do it early and often.

Uncle Mike and I stood there for a few minutes figuring out the best way to save the snakes.  One must respect wildlife’s potential dangers, especially suffering, starved, dehydrated wildlife.  My uncle pulled out his Swiss knife and began to cut the netting.  “John, let’s take them outside.  You hold the snakes, and I’ll cut ’em loose.”  Sounded like a plan, and soon Uncle Mike had the netting apart enough for us to bring them out one by one.

Now came the tricky part.  When I said I was good with snakes, I didn’t mean I was a talented snake wrangler, simply that I didn’t run screaming when I saw one.  I took the first snake gently behind the head, and held up its mid-body so my uncle could begin the really tricky part.  You never saw such delicacy in your life.  Strand by strand, patiently, kindly, he worked the tip of the knife under each strangling wire of nylon.  I watched very closely as he managed it without costing the snake even a bit of blood.  Remember how deeply the nylon was dug into the snake’s scales and flesh; impressive dexterity and gentleness.  I’m still impressed.

It took about five or ten minutes, if I remember correctly; he worked from tail to head.  With about half the snake loose, it began to make sinuous movements in my hands.  Somehow I knew this wasn’t a fight to be free of my grasp, just getting circulation back.  That snake had to be suffering something awful.  When it calmed down, Uncle Mike went back to his work.   Before long the final strand snapped free, the snake wormed around again, and I took it over and released it in the grass.  It wasn’t far to water and food.  That kingsnake was going to make it.

Snake #2 went more quickly, both of us having now had some practice.  It behaved the same, and I let it loose over in the same deep grass.  I can’t know, but it’s fairly safe to guess they lived long, happy serpentine Flint Hills lives.

I wish I remember what, if anything, Uncle Mike and I said afterward.  I’m so gabby I must have said something, but it can’t have been too profound because I forget.  I suspect that Mike and I just smiled, watched the snakes disappear into the grass, and got on with his plans for the grape vines.  What I do know for sure is that it was one of our best moments together.

The Alpocalypse

No, it isn’t an invasion of South American camelids that resemble mini-llamas and produce trendy wool.  My musical main man, “Weird Al” Yankovic, has a new CD coming out very soon.  We wait years for these.  And if you’ve never seen Al in concert, you have missed an experience.  Nonstop entertainment, even during the every-number costume changes.  A hardcore trouper’s ethic (he had the flu when I saw him), great band chemistry and a total commitment to a great show.  My wife was meh over the idea, but became a concert convert.  I don’t even like concerts much and I liked it.

Here’s the track listing:

1.Perform This Way
2.CNR
3.TMZ
4.Skipper Dan
5.Polka Face
6.Craigslist
7.Party In The CIA
8.Ringtone
9.Another Tattoo
10.If That Isn’t Love
11.Whatever You Like
12.Stop Forwarding That Crap To Me

Any questions? That last, in particular, hit a resonant frequency for me. People used to constantly forward stuff to me in the belief that it was funny or important. Whether or not I had editing work on my plate, it got so irritating, and then I’d ask them to please stop, at which point they’d think I was a killjoy. That’s not how that works.

Amazon’s little game

Do you buy used books through Amazon? I do, though I’m seriously considering ending that practice.  If you’re anything like me, you have absorbed the following salient facts:

  • Any used book costs a minimum of $3.99 for shipping.
  • Often that’s the entire cost, with the book selling for $0.01.
  • If you make an order of any size at all, Amazon gives you free shipping.

Perceptive readers with business sense, and at least a little bit of avarice, have just done the mental math.  Okay.  So if I’m Amazon, here’s my game.  I’ll set up my system to adjust my price to $3.98 above whatever the best independent bookseller deal is.  And if they buy from the bookseller in spite of my undercut, since I take most of the profit anyway, I can’t lose.

The reason this offends me is that it is so scientifically designed to hose the little guy or gal, the independent bookseller in Waverly, KS who keeps a local retail store going by using the business as a net-order warehouse with retail capability.  It’s not malice, just scientific greed, and I see through it. Given that it affects books and authors, thus clients, as an editor I’m perhaps more sensitive about it. I like local bookstores and help keep them around when I can. So, I reckon, do most editors and writers.

What I have taken to doing, when I do buy used books from Amazon, is easy and inexpensive.  Buy it from the little guy or gal anyway, for the extra $0.02 or $0.50 or $2.00.  It would be great if others did so also.

Blogging freelance editing, writing, and life in general. You can also Like my Facebook page for more frequent updates: J.K. Kelley, Editor.