the hardest literary bias to overcome

In fact, it’s so hard there is no way to overcome it. We can mitigate it, ease it, look past it, but this fact is inescapable:

Every evening, except in polar latitudes, the sun goes down. It gets dark, and most of us can’t see as well. Our instincts tell us to fear greater danger at that time. Every morning, the sun rises, and we can easily see. We feel safer.

From this fundamental fact of our existence has sprung the entire light vs. darkness motif, leading us to equate the light with good and the dark with evil. It’s not fair, because our skin color varies. There is zero reason that the color of a person’s flesh should carry any connotation of beneficence or malevolence, safety or danger.

I believe that this reality has poisoned racial relations and feelings for humanity in many ways we either do not see, or see but would rather pretend we do not. How many times have we heard the phrase “in darkest Africa?” To me, Africa seems pretty sunny. Its jungles are probably dark, but so are our Northwestern pine and fir forests. No. That’s a reference to skin color, no matter how hard anyone may try to deny it, and somehow it is still considered tolerable–even though it equates to the dangerous unknown full of wild things and hazards.

Since our orientation relative to the sun is not likely to shift any time soon, we are stuck with this situation. We aren’t going to have a sudden species shift toward perfect night vision, and our bodies of literature are not going to undergo a massive rewrite. We can only change what we do from here. What can we do?

Writers can help. Now, hear me well: I’m not buying into the notion that we must use immediate social nuclear retaliation against every tiny vestige of any historic social injustice. If your writing happens to mention some reference to the fact that it truly is easier for most of us to see during the daytime, it won’t mean that you belong in the linen closet. You don’t have to turn around and republish every word you ever wrote, scrubbed of every light/dark reference, lest you be kicked out of the nice tent. That would be idiotic. The fact that people do just that all the time without thinking any of it through, always seeking .999999 fine ideological purity and damning to hell anyone who falls short, doesn’t make it sane.

You can’t change our geo/astrophysics, but you can seek other ways to present good and evil in writing. That’s all. Just, when you run across a case where you’re thinking of describing evil as darkness and good as the light, be writer enough to think of a more considerate way to put it. It’s a good thing to do, and that should be enough motivation for a good person to try.

Is it hard? Sometimes; but you wanted to be a writer, didn’t you? Always thought it would be so cool? Great! Welcome to doing the thing for real. If it were easy, even more people would do it. Don’t give yourself an excuse; write better.

If you need extra motivation, imagine what it would be like if the way you looked, and for all your life would look no matter what you did about it, matched a standard metaphor for evil. If you need further motivation, remember that people who spend money on literary property come in many hues, might notice things you might not, and often have a refined sense for when someone is (or is not) showing a little sensitivity to others. Between motivation for good deeds, and motivation to make money, that should cover a large percentage of those who auth.

Let’s make the world of writing a little more inclusive. Not because someone’s on our asses about it, but because we can see that it would be worthwhile.

2 thoughts on “the hardest literary bias to overcome”

  1. I believe it was Nick Cave who said “darker than the chambers of a dead nun’s heart.”

    Now I need to see if I still have that song.


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