Life has taught me that quite a few of those who have appointed themselves editors and proofreaders are competent to do neither. If you could see the number of posts in editors’ forums full of bad English, requests like “I want 2 become an editor can u point me to any sites where I can learn grammer?” you might despair. If you can see them, you despair daily.
All right. Let’s do something about it. Knowing what I know now, but assuming I were not actually an editor, how would I do it? Imagine I wanted to be a published author and sought editing help. Assume that no matter my proficiency with the language, I’m sensible enough to realize one set of eyes isn’t enough. I also realize that volunteer first readers might be reluctant to be blunt with me.
In addition to continuing to write every day, even if it were only fifty words, even if all I said was “writing sucks today because…” I would start with short stories. The goal would be to get them published sooner rather than later, firing up the income stream. I’d give away the first few for free, hoping to build a following. But before I published any, I’d be confronting the hiring of editing services. Thus:
It’s not smart to hire people when one doesn’t know what they do. Rather than be foolhardy, I would read up on the different editing modes, so that I didn’t sound completely clueless when time came to have the conversation. When I did that, I would probably conclude that I needed a developmental edit. Even if I weren’t sure, I would desire such an edit in order to see my blind spots. I might later evolve my writing to a point where I ceased to need these, but I’d be planning to wait for an editor to tell me that.
I would not go to any of the sites that purport to help one hire editing services from a pool. Know what I’d do? I’d get on one of the writers’ groups on Faceplant, like Writers Helping Writers or Writers Unite. While some of the requests from purported writers might quease me out, this would provide me two benefits. One, it would show me the truly wretched quality of English on display for most of the likely competition, thus making me feel much better about my own. Two, it would let me see which editors participated in attempts to help these poor lost souls. I’d watch how they conducted themselves. I’d grade them for honesty, knowledge, and helpfulness. I’d make a list of the top five and order it according to how much each provider appealed to me.
Then, one by one, I’d contact my top five. I would not contact several at once. I would not waste others’ time or try to get them all to compete with each other; this isn’t buying a new car. I’d look the first one up, contact her, and see what her process was like. I would not ask her about costs until the very end of the discussion. I’d ask her for a sample developmental edit, presuming she did those, on just one to two pages of short story. I’d be very up front that I was starting with short stories to improve my writing, build a name, and work into the process.
The quality of guidance in her sample dev edit would be an enormous factor. If it was cold, that would be all right provided it was intelligent and honest. I’d make sure that the sample included some passive voice, ellipses, italic emphasis, and some other bad habits, just so that I could get her take on them. I could live with her telling me it was complete garbage, provided she told me specifics about why. If I didn’t get a good vibe and feel from this process, I would thank her for her time and let her know I needed to keep searching for a better fit.
If I did get a good vibe, I’d do some innocent cyber research. I’d see what kind of reputation she had, look into her testimonials. If her website offered a list of her credits, I might buy one of those books just to see how her handiwork might have come out. If I decided she was The One, I would not send her an NDA to sign (the only one of those I ever signed was for a tech editing project that involved being privy to the hiring party’s clients’ confidential information). If she sent me a contract to sign, I’d read it and decide how I felt about its provisions. If she wanted money up front, I’d examine that and decide whether I was comfortable with it. Also, to be frank, if she charged by the hour I’d assume she was more likely to be capable than if she charged a flat fee. There’s complicated thinking behind that, and it’s by no means perfect or universal, but it is my considered observation and experience.
Once I hired her, I would carefully consider everything she said. At times I would challenge her in ways, especially by asking her to explain the reasoning. If she had a process, I would follow it, soaking up everything I could. I would pay her promptly when the time came. I would not try to piggyback free work. At the end of the first project, I would decide whether her participation had improved my skills and the project. If it had, I would seriously consider hiring her again.
2 thoughts on “How I would hire an editor if I were an aspiring author”
Here’s what I would do: hire you.
Heh, Jason. I guess that’s one approach! Thank you.